Best Lenses under £400 for video production

Best Pick

Nikon NIKKOR AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR 40mm

75.1 Video/Cinema Score
18-140mmf/3.5Nikon FIS
Why we recommend this

Its 18–140mm focal range (27–210mm equivalent) pairs with 4-stop Vibration Reduction and a Silent Wave Motor for sharp, quiet autofocus across wide-angle to mid-telephoto. Super Integrated Coating and one extra-low dispersion element cut flare and color fringing, delivering high contrast in a compact 490g build. This all-in-one zoom suits DX shooters who need one grab-and-go lens for events, portraits, and close-up details without swapping glass.

View Details & Prices

Great Alternatives

These options also score highly and may better suit your specific needs

Sigma Art 24-105mm f/4 DG OS HSM

57.2 Video/Cinema Score
24-105mmf/22Nikon FIS
Why we recommend this ▼

The constant f/4 aperture across a 24-105mm range, paired with a complex 19-element optical design using FLD and SLD glass, delivers sharp, aberration-free images for high-resolution Nikon F bodies. Its Hyper Sonic Motor and Optical Stabilizer provide fast, quiet autofocus and effective shake compensation, while the bundled filter kit adds immediate shooting value. This lens is best for landscape and travel photographers needing a single, durable full-frame zoom that balances optical performance with everyday versatility.

View Details & Prices

Yongnuo YN 35mm f/2 11mm

33.5 Video/Cinema Score
35mmf/22Nikon F
Why we recommend this ▼

Weighing just 155g, this 35mm f/2 prime offers full-frame coverage for Nikon F mount with a multi-coated 7-element optical design. Its ultra-quiet digital stepping motor and compact build make it a discreet, lightweight option for everyday shooting. This lens is best for budget-conscious Nikon DSLR users wanting a standard walkaround prime for general photography and travel.

View Details & Prices

Rokinon 10mm f/2.8 ED AS NCS CS 10mm

32.2 Video/Cinema Score
10mmf/22Nikon F
Why we recommend this ▼

Its 10mm f/2.8 focal length combined with Nano Crystal Coating, ED and two aspherical elements delivers 110-degree edge-to-edge coverage on APS-C Nikon bodies, aided by an AE chip for auto metering. The manual-focus lens includes built-in stabilization and an inner focusing system that maintains a constant length while enabling a 9.5-inch close-focus distance for near-macro shots. This lens is best for architectural and landscape photographers who need dramatic ultra-wide perspectives, as well as journalists working in confined spaces.

View Details & Prices

BENOISON 420-Nikon--F 420-800mm

30.7 Video/Cinema Score
420-800mmf/16Nikon FIS
Why we recommend this ▼

The 420-800mm zoom range on a full-frame F-mount body provides extreme reach for distant subjects, though the manual focus and variable f/8.3-16 aperture demand careful technique and ample light. Its lightweight 717g build and direct F-mount compatibility eliminate the need for adapters, making it a portable option for Nikon DSLR users. This lens is best for hobbyist wildlife observers and moon photographers on a strict budget who are comfortable working entirely in manual mode.

View Details & Prices

Best Lenses under £800 for video production

Best Pick

Tamron SP A032 24-70mm

84.8 Video/Cinema Score
24-70mmf/2.8Nikon FISWeather Sealed
Why we recommend this

The constant f/2.8 aperture combined with 5-stop Vibration Compensation and a sophisticated 17-element optical design with eBAND coatings delivers sharp, high-contrast images in challenging light. Its weather-sealed, moisture-resistant construction and fluorine-coated front element provide durability for field use without a premium price tag. This lens is best for landscape and travel photographers who need a reliable, stabilized standard zoom with full-frame coverage.

View Details & Prices

Great Alternatives

These options also score highly and may better suit your specific needs

Sigma Art 28mm f/1.4 DG HSM

75.2 Video/Cinema Score
28mmf/1.4Nikon FWeather Sealed
Why we recommend this ▼

The f/1.4 maximum aperture and an optical design with three aspherical and five SLD/FLD elements deliver exceptional sharpness and contrast control for low-light scenes. Its weather-sealed, robust build and Super Multi-Layer Coating ensure reliable, flare-resistant performance in demanding conditions. This lens is best for professional landscape and street photographers needing a fast, wide-angle prime with uncompromising optical clarity.

View Details & Prices

Nikon NIKKOR 2178 16-85mm

70.5 Video/Cinema Score
16-85mmf/3.5Nikon FIS
Why we recommend this ▼

Covering a versatile 16–85mm focal range (5.3x zoom) with Vibration Reduction that compensates for up to four shutter-speed stops, this AF-S DX lens handles wide-angle to short-telephoto shots on Nikon DX DSLRs. Its Super Integrated Coating reduces flare and ghosting, and the compact 794g build, often available renewed, offers an affordable all-in-one walkaround solution. It’s best suited for Nikon DX hobbyists and travelers who prioritize a single lens for everyday photography, though landscape sharpness rates low at 29/100.

View Details & Prices

Zeiss Otus ML 50mm f/1.4 50mm

44.6 Video/Cinema Score
50mmf/16Nikon FWeather Sealed
Why we recommend this ▼

Its Distagon optical design with 14 elements, including 4 ED and 1 aspherical lens, delivers exceptional sharpness and aberration control for a manual-focus 50mm f/1.4 prime. The modernized, weather-sealed build is notably compact and portable, paired with a smooth 260° focus throw for precise control. This lens is best for deliberate stills photographers and filmmakers who prioritize optical rendering over autofocus speed.

View Details & Prices

Nikon NIKKOR Z 14-24mm f/2.8 S

48.9 Video/Cinema Score
14-24mmf/22Nikon FWeather Sealed
Why we recommend this ▼

The constant f/2.8 aperture across the 14-24mm zoom range combines with ED and aspherical elements to deliver edge-to-edge sharpness, while ARNEO and Nano Crystal coatings suppress flare in backlit scenes. Its weather-sealed, 1000g magnesium-alloy body includes a programmable control ring and an OLED information panel for quick setting checks in the field. This lens is best for landscape and architecture photographers who need a rugged, ultra-wide zoom with consistent low-light performance.

View Details & Prices

Laowa 25mm f/2.8 2.5-5X Ultra Macro 25-125mm

31.9 Video/Cinema Score
25mmf/16Nikon F
Why we recommend this ▼

Reaching 5:1 magnification with a 1.6-inch working distance and one ED element, this lens captures sharp, color-accurate extreme macro images. Its 400g slim profile and 25mm focal length afford greater depth of field and easier lighting space than telephoto macros. This lens suits enthusiasts photographing sub-centimeter subjects like insect eyes or jewelry textures on full-frame Canon EF bodies.

View Details & Prices

Best Lenses under £1,000 for video production

Best Pick

Sigma Art 50mm f/1.4 DG HSM 50mm

82.7 Video/Cinema Score
50mmf/1.4Nikon FWeather Sealed
Why we recommend this

The 14-element optical design with three ED and one aspherical element delivers exceptional sharpness and suppresses aberrations even at its bright f/1.4 maximum aperture. Its robust, weather-sealed metal build and smooth, ring-type HSM autofocus system offer a premium handling experience that belies its price point. This lens is best for portrait and studio photographers using Nikon F-mount DSLRs who demand critical image quality and shallow depth of field control without the cost of first-party optics.

View Details & Prices

Best Lenses under £2,000 for video production

Best Pick

Nikon NIKKOR AF-S NIKKOR 16-35mm f/4G ED VR

74.9 Video/Cinema Score
16-35mmf/4Nikon FIS
Why we recommend this

The constant f/4 aperture and Vibration Reduction offering up to 4 stops of compensation make this a versatile ultra-wide zoom for handheld shooting. Its Nano Crystal Coat and two ED glass elements effectively suppress flare and chromatic aberration, delivering sharp, clear images in a relatively lightweight 680g body. This lens is best for landscape and architecture photographers using Nikon full-frame DSLRs who need a flexible wide-angle zoom with a practical 77mm filter thread.

View Details & Prices

Great Alternatives

These options also score highly and may better suit your specific needs

Sigma Art 50-100mm f/1.8 DC HSM 100mm

53 Video/Cinema Score
50-100mmf/16Nikon F
Why we recommend this ▼

A constant f/1.8 aperture across the 50-100mm zoom range delivers full-frame equivalent depth of field control on APS-C sensors, paired with 7 ED elements for high clarity. The internal zoom and Hyper Sonic Motor provide fast, quiet autofocus without extending the barrel, maintaining balance on a gimbal. This lens is best for portrait and event photographers who need a fast telephoto zoom but don't require stabilization.

View Details & Prices

Premium Lenses for video production

Best Pick

Nikon NIKKOR 58mm f/1.4G 58mm

68.9 Video/Cinema Score
58mmf/1.4Nikon F
Why we recommend this

Its f/1.4 aperture and two aspherical elements deliver sharp subject isolation with a distinct, smooth bokeh inspired by the legendary Noct NIKKOR. At just 385g, this lens combines a fast Silent Wave Motor with Nano Crystal Coatings for flare-resistant, high-contrast rendering in a portable build. It is best for portrait photographers who prioritize three-dimensional rendering and character over clinical sharpness.

View Details & Prices

Great Alternatives

These options also score highly and may better suit your specific needs

Sigma 185955

42.3 Video/Cinema Score
500mmf/32Nikon FISWeather Sealed
Why we recommend this ▼

The constant f/4 aperture combined with two FLD and one SLD element delivers exceptional clarity and chromatic aberration correction, while the magnesium alloy body provides a dust- and splash-proof build at 3310g. Its optical stabilization offers a 4-stop advantage, and the Hyper Sonic Motor provides fast, accurate autofocus that excels in challenging low-light conditions. This lens is best for wildlife and sports photographers who need a durable, hand-holdable 500mm prime with full-frame coverage and reliable weather sealing for extended outdoor shoots.

View Details & Prices

Nikon 20052

56.6 Video/Cinema Score
24-70mmf/22Nikon FWeather Sealed
Why we recommend this ▼

The constant f/2.8 aperture and internal zoom mechanism, a first for its class, maintain the lens's center of gravity for stable gimbal use while its Nano Crystal Coat and ED elements suppress flare and ghosting. Its optical formula delivers sharpness and pleasing bokeh in a weather-sealed, 900g body that is smaller and lighter than typical 24-70mm f/2.8 lenses. This lens is best for landscape photographers and video shooters who need a durable, stabilized workhorse zoom with silent, fast autofocus.

View Details & Prices