Best Lenses under £400 for video production

Best Pick

Panasonic LUMIX G Macro H-HS030 30mm

59.5 Video/Cinema Score
30mmf/22Micro Four ThirdsIS
Why we recommend this

The 30mm focal length delivers true 1:1 magnification with a 2.0x full-frame equivalent field of view, paired with a 240fps drive autofocus and MEGA O.I.S. stabilization for sharp handheld macro work. Its compact 272g build and f/2.8 aperture produce corner-to-corner sharpness with smooth bokeh, making it a strong budget option despite lacking weather sealing. This lens is best for Micro Four Thirds shooters needing a lightweight, stabilized macro prime for detailed close-ups of insects and flora.

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Laowa 17mm f/1.8 17mm

58.8 Video/Cinema Score
17mmf/1.8Micro Four ThirdsWeather Sealed
Why we recommend this

Weighing just 172g with a bright f/1.8 aperture and weather sealing, this manual-focus lens delivers sharp, high-contrast images with minimal distortion across the Micro Four Thirds frame. Its 15cm minimum focus distance enables 0.2x magnification close-ups with smooth bokeh from the 7-blade diaphragm, adding macro-like versatility to a compact wide-angle. This lens is best for street and travel photographers who prioritize a lightweight, all-metal build and precise manual control over autofocus convenience.

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Olympus M.Zuiko V312040BU000 30mm

56.2 Video/Cinema Score
30mmf/3.5Micro Four Thirds
Why we recommend this

A 1.25x greater-than-life-size magnification and a 0.6-inch minimum working distance let this 128g lens capture extreme close-up detail that standard macros miss. Its optical design uses one aspherical, one Dual Super Aspherical, and one ED aspherical element to suppress aberrations for sharp clarity at a very accessible price. This lens is best for Micro Four Thirds shooters who need a dedicated, ultra-light tool for detailed macro work like insects and product photography.

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7Artisans 122.8ZBII 12mm

50.7 Video/Cinema Score
12mmf/2.8Olympus/Panasonic MTF 4/3 MountIS
Why we recommend this

With a 100-degree field of view and f/2.8 aperture, this 12mm manual focus prime uses a 12-element optical design, focusing as close as 5.9 inches for dramatic wide-angle close-ups. Its all-metal barrel and smooth focus ring provide precise control at an affordable price, though the 608g weight limits travel portability. The lens is ideal for budget-minded Nikon Z APS-C shooters wanting to experiment with ultra-wide landscapes and close-up photography without autofocus.

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OM System M.Zuiko V335570BW000

50.7 Video/Cinema Score
Micro Four ThirdsISWeather Sealed
Why we recommend this

Doubles focal length with 2.0x magnification while retaining exceptional optical quality, built with a metal mount and IPX1-rated weather-sealing for field resilience. Weighing just 150g and measuring 159mm long, it adds negligible bulk to the compatible M.Zuiko PRO and telephoto lens lineup. This teleconverter is best for macro photographers needing 2:1 maximum magnification and weather-sealed reliability in a compact Micro Four Thirds system.

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Yongnuo YN42.5mm F1.7M II 42mm

39.7 Video/Cinema Score
42mmf/22Micro Four Thirds
Why we recommend this

The 42.5mm focal length (85mm equivalent) and f/1.7 aperture deliver smooth bokeh and low-light capability in a tiny 146g body with STM autofocus. Its discreet, pocketable design integrates unobtrusively on small Micro Four Thirds bodies like the Panasonic G100 or Olympus E-M10 series. This lens is best for street photographers and budget-conscious portrait shooters who need a fast, lightweight prime for everyday candid work and environmental portraits.

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Rokinon Cine DS100M-MFT 100mm

38.5 Video/Cinema Score
100mmf/32Micro Four Thirds
Why we recommend this

Offering 1:1 macro magnification with a 100mm focal length and T3.1 aperture, this lens captures detailed close-ups with smooth, de-clicked aperture control and a 9-blade diaphragm for circular bokeh. The Cine DS version adds unified focus and aperture gear positions, color-matched barrels, and dual-sided distance scales for quick lens swaps on set. It’s best for Micro Four Thirds video shooters needing a dedicated macro cine lens for product shots, nature details, and dramatic close-ups with follow-focus rigs.

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Meike 250.95-MFT 25mm

36 Video/Cinema Score
25mmf/16Micro Four ThirdsIS
Why we recommend this

The f/0.95 maximum aperture and 13-blade diaphragm produce exceptionally smooth bokeh and strong subject isolation on Micro Four Thirds. Its all-manual focus and solid 600g metal build cater to deliberate shooting in astrophotography and nightscapes, where the 0.25m minimum focus unlocks close-up details. This lens suits astrophotographers and low-light street photographers on Panasonic and Olympus MFT cameras who prioritize creative control over autofocus convenience.

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Best Lenses under £800 for video production

Best Pick

Panasonic Leica DG Summilux H-X015K 15mm

60.5 Video/Cinema Score
15mmf/16Micro Four Thirds
Why we recommend this

The bright f/1.7 aperture and three aspherical elements deliver sharp, low-distortion images with strong low-light capability in a 115g metal body. A manual aperture ring and Nano Surface Coating provide tactile control and flare resistance that elevate its premium, compact build. This lens is best for street and travel photographers who prioritize a fast, pocketable 30mm equivalent prime with refined handling.

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OM System M.Zuiko Digital ED 75-300mm f/4.8-6.7 II 300mm

39 Video/Cinema Score
75-300mmf/22Micro Four Thirds
Why we recommend this

Delivering a 150-600mm equivalent reach in a remarkably portable 423g body, this lens stands out for its lightweight super-telephoto range on Micro Four Thirds cameras. Its optical design incorporates Super ED and ED elements with a ZERO coating, yielding sharp, high-contrast images while the near-silent AF system suits both stills and video. This lens is best for wildlife and sports enthusiasts who need extreme magnification without the bulk of traditional telephoto glass.

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Best Lenses under £1,000 for video production

Best Pick

OM System M.Zuiko Digital ED PRO 8-25mm F4.0

61.2 Video/Cinema Score
8-25mmf/4Micro Four ThirdsWeather Sealed
Why we recommend this

A 16-50mm full-frame equivalent range in a single, weather-sealed lens weighing just 411g makes this a uniquely versatile tool for Micro Four Thirds shooters. The sophisticated optical design with 16 elements suppresses aberrations for sharp results, while the manual focus clutch and programmable L-Fn button enhance handling. This lens is best for travel and landscape photographers who need a single, durable wide-to-standard zoom to minimize kit weight in harsh conditions.

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OM System M.Zuiko Digital ED V335360BW000 200mm

40.3 Video/Cinema Score
12-200mmf/22Micro Four ThirdsWeather Sealed
Why we recommend this

Its 16.6x zoom range, spanning 12–200mm (24–400mm equivalent), is the longest available in any mirrorless system. At just 455g with full weather-sealing and a 1:2.7 close-up capability, this all-in-one lens eliminates the need to carry multiple optics. It’s ideal for hikers and travel photographers who want a single, rugged lens for sweeping landscapes, distant subjects, and impromptu macro shots.

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Best Lenses under £2,000 for video production

Best Pick

Panasonic Leica DG Vario-Summilux H-X1025 10-25mm

77.7 Video/Cinema Score
10-25mmf/1.7Micro Four ThirdsWeather Sealed
Why we recommend this

A constant f/1.7 aperture across the entire 10-25mm zoom range eliminates exposure shifts while shooting, paired with a stepless, de-clicked aperture ring for silent, smooth iris pulls. Its Leica-certified optical design, featuring 4 ED and 3 aspherical elements, delivers high resolution in a rugged, weather-sealed 690g body. This lens is best for run-and-gun videographers and hybrid shooters who need a single, fast wide-to-standard zoom for documentary or event work.

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OM System M.Zuiko 40-150mm f/2.8 PRO

58.7 Video/Cinema Score
40-150mmf/22Micro Four ThirdsWeather Sealed
Why we recommend this

A constant f/2.8 aperture across the 80-300mm equivalent range and weather-sealed, all-metal build deliver professional-grade reliability and consistent light gathering. The Dual VCM autofocus with a manual focus clutch provides fast, precise control, while the ZERO coating suppresses flare for high-contrast results. This lens is best for outdoor event and portrait photographers who need a rugged, fast telephoto zoom without the bulk of full-frame systems.

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OM System M.Zuiko Digital ED V315070BU000 100-400mm

55.9 Video/Cinema Score
100-400mmf/22Micro Four ThirdsISWeather Sealed
Why we recommend this

Delivering a 200-800mm full-frame equivalent reach in a 1120g package, this lens stands out with its 0.57x maximum magnification for true tele-macro capability at a 1.3m working distance. Its dustproof, splashproof construction and built-in image stabilization ensure reliable handheld shooting in harsh conditions. This is best for wildlife photographers who need a portable super-telephoto that can also capture frame-filling close-ups of insects and flora.

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Premium Lenses for video production

Best Pick

OM System M.Zuiko Digital ED V335280BW000 300mm

54.3 Video/Cinema Score
300mmf/22Micro Four ThirdsISWeather Sealed
Why we recommend this

Combining a 600mm equivalent reach with a constant f/4 aperture in a 1475g weather-sealed body, this lens delivers handheld super-telephoto capability without a tripod. Its optical formula uses three Super ED elements and Z Coating Nano to suppress aberrations and flare, yielding sharp, high-contrast images with a 5-stop image stabilization system. This is the ideal tool for wildlife and sports photographers using Micro Four Thirds who need a portable, all-weather setup for distant subjects.

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Olympus M.ZUIKO DIGITAL V335930BW000 150-600mm

38.6 Video/Cinema Score
150-600mmf/6.3Micro Four ThirdsISWeather Sealed
Why we recommend this

Delivering a 150-600mm focal range (1200mm equivalent on Micro Four Thirds), this lens pairs an f/5-6.3 aperture with optical stabilization and 0.7x magnification for detailed close-ups at distance. Its weather-sealed, 2060g build ensures reliability in rough field conditions, and the close-focus capability lets it double as a near-macro tool. Ideal for wildlife and sports shooters on Micro Four Thirds systems, especially those tracking birds or distant action in challenging weather.

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