Best Lenses under £400 for video production

Best Pick

Canon RF-S RF-S7.8mm F4 STM Dual 8mm

62.6 Video/Cinema Score
8mm 16 Canon RF
Why we recommend this

This stereoscopic lens stands out with its 7.8mm f/4 dual-lens design, delivering a 60° human-vision-like field of view for spatial video on APS-C cameras at just 131g. Combined with STM autofocus and a control ring, it provides steady handheld capture without adding bulk, lowering the barrier to Canon’s EOS VR System. It’s best for vloggers and social media creators wanting to capture immersive 3D memories viewable on the Apple Vision Pro or Meta Quest 3.

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XuanLens 32mm F10 Free Focus Pancake 32mm

52.1 Video/Cinema Score
32mm f/10 Canon RF IS
Why we recommend this

Recycled from a disposable camera into a 35g body cap, this 32mm f/10 pancake lens delivers a distinct lo-fi, soft-focus retro look with a fixed aperture and a focus-free design sharp from 1.5 meters to infinity. Its truly pocketable size and manual-only operation make it an unobtrusive tool for spontaneous shooting, embracing the imperfections of its resin optics. This lens is best for street photographers and casual shooters who intentionally seek the vignetted, analog character of a toy camera on their Canon RF mirrorless body.

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7Artisans INFINTE 65mm T2.9 2x Macro 65mm

51.8 Video/Cinema Score
65mm Canon RF
Why we recommend this

A 2x magnification ratio and a 330° focus throw on full-frame Nikon Z mount give filmmakers precise manual focus for extreme macro shots. The lens features cinema-standard 0.8 MOD gears for follow focus systems and ED/aspherical elements that minimize aberrations. It’s ideal for macro videographers and tabletop product shooters who demand critical sharpness at close range on Nikon Z cameras.

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TTArtisan 14mm f/2.8 14mm

51.8 Video/Cinema Score
14mm f/2.8 Canon RF
Why we recommend this

With a 114° full-frame field of view and a manual focus design featuring a clickable aperture ring, this 14mm f/2.8 lens delivers precise tactile control and a pronounced sun-star effect at narrow apertures. It accepts 77mm threaded filters directly—a practical advantage at this focal length—and focuses down to 7.9 inches for dramatic close-up perspectives. Landscape and astrophotography photographers who prioritize manual control and filter convenience will find it a capable, lightweight ultrawide prime.

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Canon RF 24-50mm f/4.5-6.3 IS STM 24-50mm

58.8 Video/Cinema Score
24-50mm 22-32 Canon RF IS
Why we recommend this

At only 210g with 4.5-stop stabilization, the 24-50mm f/4.5-6.3 provides an ultralight stabilized standard zoom for full-frame RF cameras. A collapsible form, Super Spectra Coating, and dual aspherical elements ensure sharp, low-distortion shots at a budget price, while the STM motor operates silently for video. It’s ideal for vloggers and casual EOS R-series shooters who value a featherweight, stabilized walkaround lens over maximum aperture speed.

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Canon Retropia 32mm

50.4 Video/Cinema Score
32mm 11 Canon RF IS
Why we recommend this

Weighing just 50 grams, the 32mm prime with fixed f/11 aperture and manual focus instantly imparts a soft, dreamy film-like aesthetic without editing. Its pocketable pancake design and limited-edition pink finish—donating 10% to breast cancer research—make spontaneous, on-the-go shoots effortless. This lens suits budget-minded street and travel shooters who prioritize nostalgic imperfection and extreme portability over landscape or low-light sharpness.

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7Artisans Hope Series 25mm T2.1 25mm

42.8 Video/Cinema Score
25mm 22 Canon RF IS
Why we recommend this

A 260° focus throw and well-suppressed breathing effect provide precise manual focus control for S35 cine capture, while the T2.1 aperture ensures ample light intake. Multi-layer nano-coating and a 15-element design deliver vivid, flare-resistant images, supported by a 700g all-metal build that accepts 82mm filters for budget-conscious rigs. It’s ideal for indie filmmakers using Canon RF-S cameras like the C70 or R7 who need tactile focus pulling and a cinematic look.

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Rokinon Cine DSX DSX14-RF 14mm

39.4 Video/Cinema Score
14mm T22 Canon RF Weather Sealed
Why we recommend this

A 14mm full-frame cine lens with a T3.1 aperture and a 115.7° rectilinear view, its 14-element design uses two aspherical and two ED elements for minimal distortion, plus weather sealing and a built-in petal hood. The Canon RF mount uniquely offers a rear gel filter holder that avoids vignetting. It suits filmmakers needing precise manual focus control for ultra-wide establishing shots on mirrorless cinema rigs.

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TTArtisan Tilt 35mm f/1.4 35mm

35.4 Video/Cinema Score
35mm 16 Canon RF
Why we recommend this

The 35mm f/1.4 aperture and ±8° tilt with 360° rotation enable precise selective focus and miniature "diorama" effects, setting this lens apart from standard primes. Its 341g metal build and stepless aperture ring also suit handheld video work, while the budget-friendly positioning makes tilt-shift creativity accessible. This lens is ideal for Micro Four Thirds shooters exploring miniature videography and stylized portraiture who want manual focus control and unique perspective manipulation.

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Andoer 420-800mm F8.3-16 420-800mm

20.3 Video/Cinema Score
420-800mm 16 Canon RF
Why we recommend this

Reaching 800mm in an all-metal, 800g body, this manual focus lens provides extreme telephoto reach for Canon RF cameras without the typical bulk or cost. Its multi-coated optics and variable aperture from f/8.3 to f/16 deliver clear images with background bokeh, though it lacks stabilization and autofocus. This lens is best for budget-conscious still-life, landscape, or travel photographers who work from a tripod and don't require fast action capture.

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Best Lenses under £800 for video production

Best Pick

Sigma Contemporary 12mm f/1.4 DC Contemporary 12mm

76.8 Video/Cinema Score
12mm 16 Canon RF Weather Sealed
Why we recommend this

Its bright f/1.4 maximum aperture, lightweight 250g build, and weather-sealed body deliver a 19.2mm full-frame equivalent field of view, making it a standout ultra-wide APS-C prime. The stepping motor AF provides quiet, precise focusing with minimal breathing, complemented by water- and oil-repellent coatings and dust/splash-resistant construction for reliable outdoor use. This lens is best for Canon RF APS-C shooters needing a compact, fast ultra-wide for vlogging, low-light interiors, and close-up landscape or street work.

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Canon RF-S 18-150mm f/3.5-6.3 IS STM 18-150mm

68.7 Video/Cinema Score
18-150mm 40 Canon RF IS
Why we recommend this

An 8.3x zoom range covering 18-150mm in a mere 318g body makes this the most versatile and portable all-in-one lens for Canon APS-C RF cameras. Its 4.5-stop stabilization and STM autofocus enable sharp stills and smooth video, while the 0.59x maximum magnification at the telephoto end provides near-macro close-up capability. This lens is best for casual photographers and travelers who want a single, lightweight solution for everything from wide landscapes to distant portraits without swapping glass.

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Sirui Saturn 50mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic 50mm

57.9 Video/Cinema Score
50mm T16 Canon RF IS
Why we recommend this

At just 465g, the carbon fiber build makes this the lightest full-frame 1.6x anamorphic, delivering a 2.4:1 or wider 2.8:1 aspect ratio with a T2.9 aperture and 10-blade diaphragm for oval bokeh. Its compact size mounts on gimbals and FPV drones for unique overhead perspectives, and optional blue or natural flare coatings add stylistic control. This manual-focus lens suits solo filmmakers and drone operators prioritizing a portable, cinematic look without heavy rigging.

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Samyang AF 12mm f/2 AF 12mm

47.3 Video/Cinema Score
12mm 22 Canon RF-S
Why we recommend this

A bright f/2.0 aperture and linear STM autofocus deliver sharp low-light imagery in this 213g, weather-sealed lens. Its 12-element optical design with three ED elements minimizes coma for astrophotography, and the 62mm filter thread adds versatile field practicality. This 12mm prime best serves Fujifilm X-mount astrophotographers and landscape shooters who need a compact, weather-resistant ultra-wide that accepts standard screw-in filters.

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Canon RF RF 35mm f/1.8 IS Macro STM 35mm

68.1 Video/Cinema Score
35mm 22 Canon RF IS
Why we recommend this

Its 0.5x macro magnification and 5-stop optical stabilization distinguish this 35mm f/1.8 lens, enabling close focus down to 0.17 meters while suppressing shake. The 57g weight and customizable control ring add direct setting changes and exceptional portability for everyday shooting. This lens is best for photographers and videographers needing a single tool for close-up portraits, product details, and stabilized handheld video work.

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Best Lenses under £1,000 for video production

Best Pick

Canon RF RF 24-240mm f/4-6.3 IS USM 24-240mm

63.6 Video/Cinema Score
24-240mm 22-36 Canon RF IS
Why we recommend this

A 24-240mm 10x zoom with 5-stop stabilization and Nano USM autofocus delivers full-frame versatility in a travel-ready 750g package. Smooth, quiet AF handles both photo sequences and professional-looking video focus pulls, while the lockable zoom ring adds handling security across the range. This lens is best for travel photographers and hybrid EOS R shooters who need a single lightweight optic for wide landscapes, portraits, and distant action.

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Canon RF-S RF-S 3.9mm f/3.5 STM Dual Fisheye 4mm

49 Video/Cinema Score
4mm 16 Canon RF
Why we recommend this

The dual-fisheye design captures stereoscopic 3D 180° VR video with a 144° field of view, optimized for the EOS R7’s APS-C sensor via a 3.9mm focal length and STM autofocus. Bundled with a Pro Sling Backpack, its 72g weight and robust optical design make field shoots effortless. Ideal for VR content creators and wedding videographers needing immersive, Quest 2-compatible 3D footage without complex rigs.

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Best Lenses under £2,000 for video production

Best Pick

Canon RF RF14-35mm F4L IS USM 14-35mm

89 Video/Cinema Score
14-35mm 22 Canon RF IS Weather Sealed
Why we recommend this

Canon's RF 14-35mm f/4L IS USM delivers 5.5-stop stabilization, constant f/4, and an advanced optical design with three aspherical and three ED elements. It starts at 14mm—wider than most ultra-wide zooms—and focuses as close as 201mm with 0.38x magnification, making it a versatile tool for creative perspectives. Best for video shooters needing stabilized ultra-wide coverage and street photographers who prioritize wide-angle flexibility and close-focus capability.

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Zeiss Otus ML 35mm f/1.4 35mm

48.6 Video/Cinema Score
35mm 16 Canon RF Weather Sealed
Why we recommend this

Its Distagon optical design, combining one aspherical element, five ED elements, and ZEISS T* coating, delivers high contrast and corner-to-corner sharpness at a fast f/1.4 aperture. The all-metal, weather-sealed barrel and damped manual-focus ring provide a tactile, precise experience built for heavy use. Ideal for portrait and landscape photographers who value deliberate manual focus and rugged construction over autofocus speed.

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Canon L-series RF 35mm f/1.4 L VCM 35mm

79 Video/Cinema Score
35mm 16 Canon RF Weather Sealed
Why we recommend this

The Canon RF 35mm f/1.4 L VCM combines an ultra-fast f/1.4 aperture with a dual focus system (Nano USM + VCM) and 7-stop stabilization, delivering silent, near-breathing-free autofocus. Its hybrid design features a manual iris ring, dual filter options (67mm front + rear gel slot), and weather sealing. Best suited for videographers and still photographers who need a fast, quiet wide-angle prime for mixed shooting environments.

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Premium Lenses for video production

Best Pick

Canon L RF 10-20mm f/4 L IS STM 10-20mm

81.9 Video/Cinema Score
10-20mm 22 Canon RF IS Weather Sealed
Why we recommend this

A rectilinear 10mm ultra-wide focal length, constant f/4 aperture, and 5-stop image stabilization define this lens for capturing sharp, expansive scenes. Weighing only 570g, its weather-sealed construction and smooth STM autofocus make it equally capable for handheld outdoor video and stills. Best for landscape photographers and videographers who need extreme perspectives for architecture and environmental footage.

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