Best Video/Cinema Lenses Under £800 in 2026
Nikon NIKKOR Z 2164 70mm
Great Alternatives
These options also score highly and may better suit your specific needs
Tamron SP SP 24-70mm f/2.8 Di VC USD G2 24-70mm
Why we recommend this ▼
A constant f/2.8 across 24-70mm and VC stabilization deliver sharp handheld images, while eBAND and fluorine coatings reduce flare and moisture. Moisture-resistant construction and fast USD autofocus come at a cost below first-party rivals. Best suited for budget-minded Nikon F shooters focused on portraiture or video where stabilization and constant aperture are critical.
Zeiss Planar Classic ZF.2 T* 50mm f/1.4 Standard Camera 50mm
Why we recommend this ▼
Its 10-element optical design with 1 aspherical and 4 ED elements, plus ZEISS T* coating, delivers exceptionally sharp images with minimal chromatic aberration and flare. The full-metal, 699g build provides a precise manual focus experience, and the user-declickable 10-blade aperture enables seamless iris adjustments for video. Best for portrait photographers seeking the signature “3D pop” and smooth bokeh, and for cinematographers who need stepless aperture control on Canon RF cameras.
Sigma Art 50mm f/1.4 DG HSM 50mm
Why we recommend this ▼
The f/1.4 maximum aperture and 13-element optical design with aspherical and ED glass deliver edge-to-edge sharpness and excellent low-light performance. Its 9-blade diaphragm produces smooth, natural bokeh, and the robust build ensures lasting reliability without weather sealing. This lens is best for portrait and street photographers who need dependable autofocus and creative background blur in challenging light.
Nikon NIKKOR AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR 16-85mm
Why we recommend this ▼
Covering a 24-127.5mm equivalent range, its 3 aspherical and 2 ED elements paired with Vibration Reduction (4 stops) deliver consistent sharpness and color accuracy across the zoom. The included filter kit and lens cap keeper enhance its value, and the AF-S Silent Wave Motor provides fast, quiet autofocus for discreet shooting. Best suited for Nikon DX-format hobbyists and travelers who need a single, stabilized lens for everything from wide-angle landscapes to tight portraits.
Rokinon 20mm f/1.8 ED AS UMC 20mm
Why we recommend this ▼
The bright f/1.8 aperture and 20mm focal length, combined with two aspherical and three ED elements, produce sharp, aberration-controlled images on full-frame Nikon F cameras. Its 485g manual focus design focuses down to 7.9 inches, and the 7-blade rounded diaphragm with Ultra Multi-Coating creates smooth bokeh while resisting flare. This lens suits astrophotographers and portrait shooters who prioritize a fast wide-angle perspective and hands-on control without needing autofocus.
Zeiss Otus ML Otus ML 50mm f/1.4 50mm
Why we recommend this ▼
Combining one aspherical and four ED elements with ZEISS T* coating, this 50mm f/1.4 renders images with high micro-contrast and the distinctive three-dimensional "3D pop." Its full-metal, weather-sealed barrel and de-clickable aperture ring extend usability to video work, while the nine-blade diaphragm yields smooth, harmonious bokeh. Portrait photographers seeking a tactile manual-focus experience and classic image character will find it ideal, though its 676g weight and manual-only operation make it less suited for travel.
Samyang AF AF 14mm f/2.8 14mm
Why we recommend this ▼
The 14mm f/2.8 ultra-wide prime delivers sharp astrophotography images with its fast aperture, two aspherical and two ED elements, and weather-sealed 641g body. A de-clickable aperture ring and smooth manual focus with a lock ring make it equally suited for silent video work and precise night-sky shooting. This lens is ideal for landscape astrophotographers needing a durable, wide-angle manual-focus prime.
Rokinon Cine DS DS135M-N 135mm
Why we recommend this ▼
The Rokinon Cine DS 135mm T2.2 delivers full-frame telephoto reach with a fast T2.2 aperture and ED glass for controlled aberrations. Its unified gear positions and de-clicked aperture are tightly color-matched across the DS line, enabling quick lens swaps on a follow-focus rig. This lens is best for budget-conscious cinematographers needing a dedicated portrait or interview lens with smooth bokeh from its 9-blade diaphragm.
