Best Lenses under £400 for video production

Best Pick

Canon L EF 24-105mm f/4L IS II USM

76.8 Video/Cinema Score
24-105mmf/22Canon RFISWeather Sealed
Why we recommend this

The constant f/4 aperture across its 24-105mm range and a 5-stop Image Stabilizer make this a dependable workhorse for handheld shooting in varied light. Its Nano USM motor delivers fast, near-silent autofocus, complemented by a customizable control ring and weather-sealed L-series build quality. This lens is best for landscape and travel photographers who need a single, versatile zoom with strong 95.5/100-rated performance in the field.

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Canon RF 24-50mm f/4.5-6.3 IS STM

69.3 Video/Cinema Score
24-50mmf/6.3Canon RFIS
Why we recommend this ▼

At only 210g with 4.5-stop stabilization, the 24-50mm f/4.5-6.3 provides an ultralight stabilized standard zoom for full-frame RF cameras. A collapsible form, Super Spectra Coating, and dual aspherical elements ensure sharp, low-distortion shots at a budget price, while the STM motor operates silently for video. It’s ideal for vloggers and casual EOS R-series shooters who value a featherweight, stabilized walkaround lens over maximum aperture speed.

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Canon RF-S7.8mm F4 STM Dual 7mm

58.4 Video/Cinema Score
8mmf/16Canon RF
Why we recommend this ▼

A stereoscopic dual-lens design captures spatial video for Apple Vision Pro and Meta Quest 3, using an STM autofocus motor and a 60° field of view on APS-C bodies like the EOS R7. Its compact 130g build and f/4 constant aperture make it an accessible entry point into the Canon EOS VR System without heavy rigs. This lens is best for content creators experimenting with 3D vlogging and immersive video, not for traditional landscape or macro work.

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Best Lenses under £800 for video production

Best Pick

Canon RF 35mm f/1.8 IS Macro STM 35mm

65.6 Video/Cinema Score
35mmf/22Canon RFIS
Why we recommend this

Combining a bright f/1.8 aperture with 1:2 macro capability and 5-stop image stabilization, this 304g lens delivers sharp close-ups at a 170mm minimum focus distance. Its compact build and configurable control ring make it a discreet, versatile walk-around prime for the RF system. This lens is best for hybrid shooters who need a single, lightweight optic for both environmental portraits and detailed close-up work.

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Best Lenses under £1,000 for video production

Best Pick

Canon RF 24-240mm f/4-6.3 IS USM

61.1 Video/Cinema Score
24-240mm22-36Canon RFIS
Why we recommend this

A 24-240mm 10x zoom with 5-stop stabilization and Nano USM autofocus delivers full-frame versatility in a travel-ready 750g package. Smooth, quiet AF handles both photo sequences and professional-looking video focus pulls, while the lockable zoom ring adds handling security across the range. This lens is best for travel photographers and hybrid EOS R shooters who need a single lightweight optic for wide landscapes, portraits, and distant action.

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Canon RF-S 3.9mm f/3.5 STM Dual Fisheye 4mm

45.6 Video/Cinema Score
4mmf/16Canon RF
Why we recommend this ▼

Its dual-lens design captures stereoscopic 3D 180° VR imagery onto a single sensor, streamlining post-production for the EOS R7 at up to 4K 30 fps. The 144° field of view and Air Sphere Coating deliver immersive footage with reduced ghosting in a compact 289g body. This lens is best for VR content creators who need a simplified, single-camera workflow for spatial video.

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Best Lenses under £2,000 for video production

Best Pick

Canon RF14-35mm F4L IS USM 14-35mm

85 Video/Cinema Score
14-35mmf/22Canon RFISWeather Sealed
Why we recommend this

Combining an ultra-wide 14mm field of view with a constant f/4 aperture and 5.5-stop optical stabilization, this lens stands out for its compact 544g build and advanced optics with SWC and ASC coatings. Its 0.38x maximum magnification at 35mm enables dramatic close-focusing perspectives, while the Nano USM motor delivers silent, smooth autofocus for video. This lens is best for landscape and architecture photographers who need a weather-sealed, portable zoom for walkaround shooting.

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Canon L RF 35mm f/1.4 L VCM 35mm

72.3 Video/Cinema Score
35mmf/16Canon RFWeather Sealed
Why we recommend this ▼

Combining a fast f/1.4 aperture with a Voice Coil Motor and Nano USM, this hybrid prime delivers silent, precise autofocus and minimal focus breathing for video. The 11-blade diaphragm produces soft, cinematic bokeh, while the weather-sealed, 555g build and full-time manual focus override add practical control. This lens is best for hybrid shooters and cinematographers needing a reliable wide-angle for gimbal work and run-and-gun documentary production.

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Premium Lenses for video production

Best Pick

Canon RF 28-70mm f/2L USM 70-28mm

55.8 Video/Cinema Score
28-70mmf/22Canon RFWeather Sealed
Why we recommend this

Delivering a constant f/2 aperture across the entire 28-70mm zoom range, this lens effectively replaces multiple fast primes for low-light shooting and shallow depth of field control. Its robust, weather-sealed L-series build incorporates a customizable control ring and a ring-type USM motor for fast, silent autofocus. This lens is best for wedding and event photographers who need prime-like speed with the flexibility of a zoom in fast-paced environments.

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Canon L RF100-500mm F4.5-7.1 L IS USM 100-500mm

55.2 Video/Cinema Score
100-500mmf/54Canon RFISWeather Sealed
Why we recommend this ▼

The 100-500mm f/4.5-7.1 L IS USM pairs a versatile 100–500mm focal range with 7 ED elements, Air Sphere coating, and 5-stop optical stabilization in a weather-sealed, travel-sized build. Its Dual Nano USM autofocus drives swift, near-silent focusing, and three IS modes—standard, panning, and exposure-only—enable precise control for moving subjects. This lens suits wildlife and sports photographers who need a portable super-telephoto zoom for handheld shooting in the field.

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