Best Lenses under CA$700 for video production

Best Pick

Nikon NIKKOR AF-S 70-200mm f/2.8G ED VR II Telephoto Zoom

75.4 Video/Cinema Score
70-200mmf/2.8Nikon FISWeather Sealed
Why we recommend this

Extends AF-S NIKKOR lens reach by 40% with only a one-stop exposure loss, turning a 70–200mm f/2.8 into a 98–280mm f/4 while preserving VR and metering. The fluorine-coated elements and weather-resistant barrel hold up in harsh conditions, and at 190g it adds minimal bulk. Best for wildlife and sports photographers using Nikon F-mount DSLRs who need extra focal length without carrying a second heavy telephoto lens.

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Sigma Art 28mm f/1.4 DG HSM

75.2 Video/Cinema Score
28mmf/1.4Nikon FWeather Sealed
Why we recommend this ▼

The f/1.4 maximum aperture and an optical design with three aspherical and five SLD/FLD elements deliver exceptional sharpness and contrast control for low-light scenes. Its weather-sealed, robust build and Super Multi-Layer Coating ensure reliable, flare-resistant performance in demanding conditions. This lens is best for professional landscape and street photographers needing a fast, wide-angle prime with uncompromising optical clarity.

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Sigma Art 28mm f/1.4 DG HSM Art 28mm lens
Price CA$549

Samyang CS SY16M-C 16mm

49.1 Video/Cinema Score
16mmf/2Nikon F
Why we recommend this ▼

A bright f/2.0 maximum aperture and optics with two aspherical and one extra-low dispersion element produce sharp, flare-resistant images in this manual-focus wide-angle lens. The 24mm equivalent perspective and precise focus ring provide deliberate control for deep depth-of-field landscapes and low-light scenes. Astrophotographers and Nikon APS-C landscape shooters looking for an affordable, fast prime will find it a sturdy, no-compromise option.

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Samyang CS SY16M-C 16mm lens
Price CA$512

HOLGA HL-C 60mm

47.6 Video/Cinema Score
60mmf/8Nikon FIS
Why we recommend this ▼

Its plastic 60mm meniscus lens and fixed f/8 aperture deliver distinctive vignetting, blur, and light leaks directly in-camera, bypassing any editing software. This lightweight 30g lens mounts natively to any Nikon F-mount DSLR, producing soft, dark-cornered images with a unique analog character that cannot be replicated digitally. It’s best for experimental photographers who want unpredictable, lo-fi portrait effects without post-processing.

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Nikon NIKKOR Z 50mm f/1.4 50mm

65.6 Video/Cinema Score
50mmf/16Nikon FWeather Sealed
Why we recommend this ▼

The bright f/1.4 maximum aperture and Silent Wave Motor deliver strong low-light performance and fast, quiet autofocus on Nikon F-mount bodies. Its compact 280g build and 9-blade diaphragm produce a pleasing, rounded bokeh for subject isolation without adding bulk. This lens is best for portrait and street photographers who need a lightweight prime with shallow depth-of-field control.

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Nikon NIKKOR Z 50mm f/1.4 50mm lens
Price CA$274

Sigma TC-1401

49.4 Video/Cinema Score
Nikon FISWeather Sealed
Why we recommend this ▼

Extending the reach of compatible Sigma telephoto lenses by 1.4x without sacrificing autofocus capability, this converter maintains full electronic communication between the lens and Nikon F-mount body. Its compact design preserves handling balance while adding versatility to your existing kit. This accessory is best for portrait and wildlife photographers needing extra focal length without investing in a dedicated super-telephoto prime lens.

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Samyang 35mm f/1.4 AS UMC 35mm

48.3 Video/Cinema Score
35mmf/1.4Nikon F
Why we recommend this ▼

Its manual focus design paired with an AE chip for auto exposure and focus confirmation on full-frame Nikon F bodies sets it apart as a versatile 35mm f/1.4 prime. The hybrid aspherical and two high-refractive elements, combined with UMC coating, ensure sharp, high-contrast images even wide open. This lens is best for portrait photographers and deliberate street shooters who value precise manual control and a bright f/1.4 aperture over autofocus speed.

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Tokina atx-i 17-35mm f/4 FF 35mm

44.7 Video/Cinema Score
17-35mmf/22Nikon FWeather Sealed
Why we recommend this ▼

A constant f/4 aperture and weather-sealed build pair with three aspherical and two ED elements for consistent edge-to-edge sharpness across the 17-35mm range. The one-touch focus clutch instantly switches between AF and MF, while the 9-blade diaphragm provides smooth out-of-focus rendering at close distances. This lens is best for Nikon F-mount landscape and architecture photographers needing a lightweight 569g zoom that focuses down to 280mm for 1:4.7 magnification near-far compositions.

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Raynox DCR-250 250mm

43.9 Video/Cinema Score
250mmCanon EF, Canon EF,Nikon F(DX),Sony Alpha
Why we recommend this ▼

The snap-on universal mount clips onto lenses with 52–67mm filter threads, instantly converting a telephoto zoom into a high-magnification macro tool without dedicated optics. Its lightweight, clip-on design eliminates the need for a dedicated macro lens, making extreme close-up photography accessible at a fraction of the cost. This is best for hobbyist photographers wanting to explore super macro detail with their existing zoom lens, rather than investing in a specialized system.

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Tokina 10-17mm f/3.5-4.5 AT-X 107 DX AF Fisheye 17mm

43.4 Video/Cinema Score
17mmf/3.5Nikon F
Why we recommend this ▼

Offering a rare zoom range for a fisheye, this lens covers 10-17mm on Nikon DX bodies with an f/3.5-4.5 aperture, enabling both extreme wide views and tighter compositions. At just 349g with a 140mm minimum focus and 1:2.56 max magnification, it doubles as a light, creative macro tool with a solid 4.5-star user rating. This lens suits APS-C shooters who want a playful, close-focusing fisheye for experimental portraits and close-ups rather than traditional landscape work.

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Laowa 60mm f/2.8 2X Ultra-Macro 60mm

42.6 Video/Cinema Score
60mmf/2.8Nikon F
Why we recommend this ▼

The lens captures 2:1 macro magnification at f/2.8 without extension tubes, using its 60mm focal length and full-frame Sony E coverage to reveal fine details. Its infinity focus capability extends versatility to portrait work, while a 14-blade diaphragm ensures smooth bokeh in manual operation. This lens suits macro photographers who need extreme close-up reproduction and precise manual control over autofocus.

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Viltrox NF-E1 30mm

42.5 Video/Cinema Score
30mmNikon F, Sony E
Why we recommend this ▼

The Viltrox NF-E1 enables phase-detection autofocus with Nikon F-mount glass on Sony E-mount bodies like the A9 and A7III, while transmitting full EXIF data. It supports both in-lens and in-body VR stabilization and allows firmware updates via its USB port, all in a lightweight 92g package. This adapter is best for street photographers with a collection of Nikon F lenses who want to leverage Sony’s autofocus system without replacing their glass.

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Kase 200mm f/5.6 MC Reflex Mirror 200mm

40.8 Video/Cinema Score
200mmf/5.6Nikon F
Why we recommend this ▼

Its catadioptric design delivers a 200mm telephoto reach in a remarkably compact 384g body, while the multicoated optical glass and fixed f/5.6 aperture produce a distinctive donut-shaped bokeh for full-frame Nikon F sensors. The all-manual, mirror-based construction eliminates chromatic aberration and offers a unique rendering at a budget-friendly price point. This lens is best for portrait photographers and outdoor enthusiasts who prioritize lightweight portability and creative bokeh effects over autofocus speed.

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Laowa Zero-D 14mm f/4 14mm

38.1 Video/Cinema Score
14mmf/4Nikon F
Why we recommend this ▼

Its 14mm focal length provides a 114° angle of view with near-zero distortion, achieved through two aspherical and two extra-low dispersion elements. The lens weighs just 360g and features a calibratable focusing scale for precise manual focus, while its 5.7-inch minimum focus distance enables strong foreground emphasis. This is ideal for architectural and landscape photographers who need a compact, distortion-free ultra-wide prime with manual control.

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IRIX Blackstone 11mm f/4 Firefly 11mm

37.4 Video/Cinema Score
11mmf/22Nikon FWeather Sealed
Why we recommend this ▼

The 11mm focal length, constant f/4 aperture, and advanced optic layout with three aspherical and two ED elements ensure sharp, rectilinear images free of distortion, housed in a weather-sealed magnesium alloy body. A manual focus mechanism includes a focus lock, UV fluorescent engraved markings, and a rounded nine-blade diaphragm for precise control and smooth bokeh. This lens suits architectural and interior photographers who demand a rugged, weather-resistant ultra-wide prime for detailed, field-based work.

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BM Premium High-Power 420-800mm f/8.3 HD Manual Telephoto 420mm

35.4 Video/Cinema Score
420-800mmf/8.3Nikon FIS
Why we recommend this ▼

The 420-800mm f/8.3 zoom range provides extreme reach for distant subjects, using multi-coated optical glass and a fixed f/8.3 aperture on a Nikon F-mount body. Its fully manual focus and built-in stabilization demand deliberate handling, while the 62mm filter thread allows for protective or enhancing filters. This lens suits budget-conscious wildlife and sports hobbyists who prioritize focal length over autofocus speed and are comfortable shooting on a tripod.

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Best Lenses under CA$1,500 for video production

Best Pick

Tamron SP A032 24-70mm

84.8 Video/Cinema Score
24-70mmf/2.8Nikon FISWeather Sealed
Why we recommend this

The constant f/2.8 aperture combined with 5-stop Vibration Compensation and a sophisticated 17-element optical design with eBAND coatings delivers sharp, high-contrast images in challenging light. Its weather-sealed, moisture-resistant construction and fluorine-coated front element provide durability for field use without a premium price tag. This lens is best for landscape and travel photographers who need a reliable, stabilized standard zoom with full-frame coverage.

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Price CA$1,215
Tamron SP A032 24-70mm lens

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Sigma Art 18-35mm f/1.8 DC HSM

82.9 Video/Cinema Score
18-35mmf/1.8Nikon F
Why we recommend this ▼

A constant f/1.8 aperture across its 18-35mm zoom range makes this lens a unique APS-C workhorse, delivering full-frame-equivalent depth of field control and low-light performance unmatched by standard zooms. Its optical design, incorporating 4 aspherical and 5 SLD elements, ensures high sharpness and contrast, while the Hyper Sonic Motor provides fast, quiet autofocus. This lens is best for portrait and event photographers using Canon EF-mount APS-C bodies who need a single, bright zoom to replace multiple fast primes.

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Zeiss Otus ML 50mm f/1.4 50mm

44.6 Video/Cinema Score
50mmf/16Nikon FWeather Sealed
Why we recommend this ▼

Its Distagon optical design with 14 elements, including 4 ED and 1 aspherical lens, delivers exceptional sharpness and aberration control for a manual-focus 50mm f/1.4 prime. The modernized, weather-sealed build is notably compact and portable, paired with a smooth 260° focus throw for precise control. This lens is best for deliberate stills photographers and filmmakers who prioritize optical rendering over autofocus speed.

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Zeiss Otus ML 50mm f/1.4 50mm lens
Price CA$821

Trioplan 50mm f/2.8 II 50mm

34.5 Video/Cinema Score
50mmf/2.8Nikon F
Why we recommend this ▼

Its revised triplet design with coated Schott glass and a 12-blade diaphragm produces the signature soap bubble bokeh with improved contrast and central sharpness. The manual-focus lens now includes a close-focusing function down to 15.7 inches, adding versatility to its distinct vintage rendering. This lens is best for portrait photographers who prioritize unique, swirly background blur over modern optical perfection.

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Sigma EX DC HSM 10-20mm f/3.5 20mm

58.5 Video/Cinema Score
10-20mmf/22Nikon FIS
Why we recommend this ▼

A constant f/3.5 aperture across the 10-20mm zoom range provides consistent exposure control, supported by 3 ED and 4 aspherical elements to curb distortion. The HSM autofocus motor delivers quiet, fast focusing, while the built-in stabilization aids handheld shooting in tight interiors. This lens is best for APS-C landscape photographers needing an ultra-wide perspective without the bulk, weighing just 520g.

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Sigma EX DG 200110 12-24mm

57.7 Video/Cinema Score
12-24mmf/4.5Nikon FIS
Why we recommend this ▼

Delivering a 122-degree diagonal field of view at 12mm, this lens captures expansive scenes that standard zooms cannot reach. Its Super Multi Coating effectively suppresses flare and ghosting, while the internal focus ring maintains the lens length during operation. This is a practical tool for architectural and landscape photographers on a budget who prioritize extreme wide-angle coverage over a fast aperture.

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Best Lenses under CA$2,000 for video production

Best Pick

Nikon NIKKOR 24mm f/1.4G ED 24mm

80.7 Video/Cinema Score
24mmf/1.4Nikon FWeather Sealed
Why we recommend this

The f/1.4 aperture combined with Nano Crystal Coating and ED glass delivers exceptional low-light performance and sharpness with controlled flares. Its durable weather-sealed build and 12-blade diaphragm produce a painterly look with expressive bokeh and subtle highlight blooms. This lens is best for portrait and video shooters using Nikon F-mount DSLRs who need a wide-angle prime with organic rendering and shallow depth of field.

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Laowa Aurogon FF 10-50x Supermicro 10-50mm

45.6 Video/Cinema Score
10-50mmNA0.5Nikon F
Why we recommend this ▼

Featuring a 50:1 maximum magnification and a 20mm fixed working distance, it uses NA 0.5 optics with full-frame coverage to resolve microscopic detail. Interchangeable magnification tubes let you dial from 10x to 50x without swapping lenses, streamlining extreme macro workflows. This lens is best for scientific researchers and industrial inspectors who need extreme close-up imaging on a Nikon F-mount system.

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Best Lenses under CA$3,500 for video production

Best Pick

Nikon 20052

56.6 Video/Cinema Score
24-70mmf/22Nikon FWeather Sealed
Why we recommend this

The constant f/2.8 aperture and internal zoom mechanism, a first for its class, maintain the lens's center of gravity for stable gimbal use while its Nano Crystal Coat and ED elements suppress flare and ghosting. Its optical formula delivers sharpness and pleasing bokeh in a weather-sealed, 900g body that is smaller and lighter than typical 24-70mm f/2.8 lenses. This lens is best for landscape photographers and video shooters who need a durable, stabilized workhorse zoom with silent, fast autofocus.

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Price CA$2,326
Nikon 20052 lens

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Tamron SP 15-30mm f/2.8 Di VC USD G2

54 Video/Cinema Score
15-30mmf/22Nikon FISWeather Sealed
Why we recommend this ▼

The constant f/2.8 aperture combined with a 4.5-stop Vibration Compensation system enables sharp handheld shooting in challenging light, while the advanced optical design with XGM and LD elements minimizes distortion across the 15-30mm zoom range. Its moisture-resistant construction and fluorine coating provide durability for harsh outdoor conditions, making it a practical choice for field work. This lens is best for landscape and travel photographers using Nikon F-mount who need a rugged, stabilized ultra-wide zoom with strong edge-to-edge sharpness.

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Zeiss Milvus 15mm f/2.8 ZF.2 15mm

34.1 Video/Cinema Score
15mmf/22Nikon FWeather Sealed
Why we recommend this ▼

The Distagon optical design with 5 ED and 2 aspherical elements delivers distortion-controlled, sharp 15mm images with the ZEISS T* coating effectively suppressing flare. Its all-metal, weather-sealed build and de-clickable aperture ring offer a precise, tactile manual focus experience for video and stills. This lens is best for landscape and architecture photographers using Nikon F-mount who prioritize optical precision and robust build over autofocus convenience.

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Nikon 20069

52.3 Video/Cinema Score
28mmf/16Nikon FWeather Sealed
Why we recommend this ▼

The f/1.4 maximum aperture combined with three aspherical and two ED elements delivers exceptional sharpness and contrast even wide open, with Nano Crystal Coatings effectively suppressing flare. Its weather-sealed, 645g build houses a fast Silent Wave Motor for reliable autofocus, making it a durable tool for demanding environments. This lens is best for professional event and wedding photographers who need a bright, wide-angle prime with robust build quality for low-light, full-frame F-mount work.

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Premium Lenses for video production

Best Pick

Nikon NIKKOR 20082 500mm

49.2 Video/Cinema Score
500mmf/32Nikon FISWeather Sealed
Why we recommend this

A Phase Fresnel element and magnesium alloy build shrink this 500mm prime to just 3.2 lbs, enabling handheld shooting with 4-stop Vibration Reduction. Its Nano Crystal Coat and three ED elements deliver high contrast and sharpness across the frame, even wide open at f/5.6. This lens is best for wildlife and sports photographers who need a lightweight, full-frame super-telephoto for extended field use.

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Sigma 185955

42.3 Video/Cinema Score
500mmf/32Nikon FISWeather Sealed
Why we recommend this ▼

The constant f/4 aperture combined with two FLD and one SLD element delivers exceptional clarity and chromatic aberration correction, while the magnesium alloy body provides a dust- and splash-proof build at 3310g. Its optical stabilization offers a 4-stop advantage, and the Hyper Sonic Motor provides fast, accurate autofocus that excels in challenging low-light conditions. This lens is best for wildlife and sports photographers who need a durable, hand-holdable 500mm prime with full-frame coverage and reliable weather sealing for extended outdoor shoots.

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Zeiss Otus 100mm f/1.4 ZF.2 100mm

31.7 Video/Cinema Score
100mmf/16Nikon F
Why we recommend this ▼

The apochromatic Sonnar design incorporates 9 low-dispersion and 1 aspherical element, minimizing color fringing at f/1.4 with Zeiss T* anti-reflective coating. Its anodized metal barrel, 1336g weight, and long manual focus throw provide deliberate, vibration-free control ideal for tripod-based work. This lens is best for portrait and product photographers who will sacrifice autofocus and weather sealing for maximal sharpness across the frame.

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