Best Pick

Tamron SP A032 24-70mm

84.8 Video/Cinema Score
24-70mmf/2.8Nikon FISWeather Sealed
Why we recommend this

The constant f/2.8 aperture combined with 5-stop Vibration Compensation and a sophisticated 17-element optical design with eBAND coatings delivers sharp, high-contrast images in challenging light. Its weather-sealed, moisture-resistant construction and fluorine-coated front element provide durability for field use without a premium price tag. This lens is best for landscape and travel photographers who need a reliable, stabilized standard zoom with full-frame coverage.

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Price CA$1,215
Tamron SP A032 24-70mm lens

Great Alternatives

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Sigma Art 18-35mm f/1.8 DC HSM

82.9 Video/Cinema Score
18-35mmf/1.8Nikon F
Why we recommend this ▼

A constant f/1.8 aperture across its 18-35mm zoom range makes this lens a unique APS-C workhorse, delivering full-frame-equivalent depth of field control and low-light performance unmatched by standard zooms. Its optical design, incorporating 4 aspherical and 5 SLD elements, ensures high sharpness and contrast, while the Hyper Sonic Motor provides fast, quiet autofocus. This lens is best for portrait and event photographers using Canon EF-mount APS-C bodies who need a single, bright zoom to replace multiple fast primes.

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Zeiss Otus ML 50mm f/1.4 50mm

44.6 Video/Cinema Score
50mmf/16Nikon FWeather Sealed
Why we recommend this ▼

Its Distagon optical design with 14 elements, including 4 ED and 1 aspherical lens, delivers exceptional sharpness and aberration control for a manual-focus 50mm f/1.4 prime. The modernized, weather-sealed build is notably compact and portable, paired with a smooth 260° focus throw for precise control. This lens is best for deliberate stills photographers and filmmakers who prioritize optical rendering over autofocus speed.

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Zeiss Otus ML 50mm f/1.4 50mm lens
Price CA$821

Trioplan 50mm f/2.8 II 50mm

34.5 Video/Cinema Score
50mmf/2.8Nikon F
Why we recommend this ▼

Its revised triplet design with coated Schott glass and a 12-blade diaphragm produces the signature soap bubble bokeh with improved contrast and central sharpness. The manual-focus lens now includes a close-focusing function down to 15.7 inches, adding versatility to its distinct vintage rendering. This lens is best for portrait photographers who prioritize unique, swirly background blur over modern optical perfection.

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Sigma EX DC HSM 10-20mm f/3.5 20mm

58.5 Video/Cinema Score
10-20mmf/22Nikon FIS
Why we recommend this ▼

A constant f/3.5 aperture across the 10-20mm zoom range provides consistent exposure control, supported by 3 ED and 4 aspherical elements to curb distortion. The HSM autofocus motor delivers quiet, fast focusing, while the built-in stabilization aids handheld shooting in tight interiors. This lens is best for APS-C landscape photographers needing an ultra-wide perspective without the bulk, weighing just 520g.

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Sigma EX DG 200110 12-24mm

57.7 Video/Cinema Score
12-24mmf/4.5Nikon FIS
Why we recommend this ▼

Delivering a 122-degree diagonal field of view at 12mm, this lens captures expansive scenes that standard zooms cannot reach. Its Super Multi Coating effectively suppresses flare and ghosting, while the internal focus ring maintains the lens length during operation. This is a practical tool for architectural and landscape photographers on a budget who prioritize extreme wide-angle coverage over a fast aperture.

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