Best Lenses under CA$700 for video production

Best Pick

Sigma Contemporary 56mm f/1.4 DC DN 56mm

79.2 Video/Cinema Score
56mmf/1.4L-MountWeather Sealed
Why we recommend this

The bright f/1.4 aperture and 84mm full-frame equivalent focal length deliver sharp subject isolation and strong low-light performance in a compact, 280g body. Its weather-sealed construction and near-silent stepping motor AF add durability and discreet operation uncommon at this price point. This lens is best for APS-C mirrorless portrait and street photographers who need a lightweight, fast telephoto prime with professional-grade optics.

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Price CA$500
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Also available at:
Also available open box & refurbished:
Sigma Contemporary 56mm f/1.4 DC DN 56mm lens

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These options also score highly and may better suit your specific needs

Panasonic LUMIX S S-S85 85mm

77.3 Video/Cinema Score
85mmf/1.8L-MountWeather Sealed
Why we recommend this ▼

The 85mm f/1.8 aperture and two ED elements deliver sharp subject separation with smooth bokeh and suppressed chromatic aberration for portraits. Its lightweight 454g body and suppressed focus breathing make it equally capable for handheld video work, while the dust- and splash-resistant design ensures reliability in harsh conditions. This lens is best for portrait photographers and hybrid shooters on the L-Mount system who need a weather-sealed, fast prime without the bulk.

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Panasonic LUMIX S S-S85 85mm lens
Price CA$648

TTArtisan 11mm f/2.8 Fisheye 11mm

53.8 Video/Cinema Score
11mmf/2.8L-MountIS
Why we recommend this ▼

The 180-degree fisheye view and 0.17m close focus distance create dramatic, immersive perspectives with macro-like detail. Its all-metal silver build and 7-blade aperture that renders 14-point sunstars add a distinctive, pro-grade aesthetic to images. This lens is best for experimental photographers and videographers wanting an affordable, manual-focus fisheye for L-Mount cameras.

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Artra Lab Nonikkor-MC 35mm f/1.4 35mm

50.4 Video/Cinema Score
35mmf/1.4L-Mount
Why we recommend this ▼

The 35mm f/1.4 prime lens uses a 10-blade diaphragm and manual focus design to deliver smooth bokeh and strong low-light control in a compact full-frame package. Its lightweight 272g build, vintage-inspired metal construction, and low-reflective multilayer coating reduce aberrations while providing a tactile shooting experience absent from modern AF lenses. Best for portrait and street photographers who prioritize shallow depth of field, manual control, and a classic rendering over landscape sharpness.

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7Artisans AF 24mm f/1.8

50.3 Video/Cinema Score
24mmf/16L-Mount
Why we recommend this ▼

The 14-element optical design with 2 aspherical and 3 ED elements delivers sharp full-frame images, while the f/1.8 aperture and 11-blade diaphragm create smooth bokeh for subject separation. Its quiet STM motor supports face and eye detection autofocus, making it a lightweight 424g option for L-Mount systems without weather sealing. This lens is best for street and environmental portrait photographers who prioritize a fast, wide-angle prime with strong close-up rendering.

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7Artisans AF 24mm f/1.8 AF 24mm lens
Price CA$406
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Also available open box & refurbished:

TTArtisan AF 40mm f/2 40mm

47.7 Video/Cinema Score
40mmf/16L-Mount
Why we recommend this ▼

Weighing just 176g with an STM motor and f/2 aperture, this full-frame 40mm prime combines a natural field of view with low-light capability in an all-metal body. Its clickable aperture ring and USB-upgradeable firmware add tactile control and future-proofing rarely found at this budget tier. This lens is best for street and travel photographers who prioritize a featherweight, discreet setup without sacrificing full-frame coverage.

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TTArtisan AF 40mm f/2 40mm lens
Price CA$231

Brightin Star 50mm f/1.05 50mm

47 Video/Cinema Score
50mmf/11L-Mount
Why we recommend this ▼

The ultra-bright f/1.05 maximum aperture and 15-blade diaphragm deliver exceptionally shallow depth of field and smooth bokeh for subject isolation. Its all-metal barrel construction provides a robust, tactile feel that complements the deliberate manual focus design. This lens is best for portrait and street photographers who prioritize creative depth-of-field control and a hands-on shooting experience over autofocus speed.

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Brightin Star 50mm f/1.05 50mm lens
Price CA$346

7Artisans 18mm f/5.6 18mm

44.6 Video/Cinema Score
18mmf/5.6L-Mount
Why we recommend this ▼

Its 146g pancake design with full-frame coverage and a 98.7° ultrawide angle of view makes it an exceptionally portable lens for expansive scenes. The constant f/5.6 aperture and manual focus design prioritize a slim profile and deliberate shooting over low-light speed. This lens is best for landscape and street photographers who want a tiny, lightweight prime for daylight walkaround use on Sony E-mount bodies.

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Sirui Aurora 85mm f/1.4 85mm

41.1 Video/Cinema Score
85mmf/1.4L-Mount
Why we recommend this ▼

The f/1.4 aperture and 15-blade diaphragm produce exceptionally smooth bokeh, while ASPH, ED, and HRI elements ensure sharp subject isolation. Its 544g weight and dust/moisture-resistant construction make it a portable, durable option for on-location work. This lens is best for portrait photographers who prioritize shallow depth of field and reliable autofocus in a full-frame L-Mount system.

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Sigma Art AFG9C0 85mm

40.5 Video/Cinema Score
85mmf/16L-MountWeather Sealed
Why we recommend this ▼

Featuring an f/1.2 maximum aperture and dual HLA-driven autofocus, this 85mm prime lens delivers razor-thin depth of field and fast, silent focusing for L-Mount portraits. Its 14-element optical design maintains sharpness wide open, with a 9-blade diaphragm rendering smooth bokeh. Portrait photographers seeking uncompromising subject isolation will find it ideal, though the 1130g weight limits travel use.

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TTArtisan Rangefinder Lenses 50mm f/0.95 50mm

37.1 Video/Cinema Score
50mmf/16L-Mount
Why we recommend this ▼

An f/0.95 maximum aperture and 10-blade diaphragm enable exceptionally shallow depth-of-field and low-light shooting, while the all-metal, 411g body keeps it portable. The clicked aperture ring and damped manual focus provide precise, tactile control, and the lens is available for Sony E, Fuji X, Micro Four Thirds, Nikon Z, Canon RF, and Leica L mounts. This lens suits portrait photographers wanting extreme subject isolation and soft, blurred backgrounds on APS-C mirrorless systems.

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TTArtisan Rangefinder Lenses 50mm f/0.95 50mm lens
Price CA$298

TTArtisan APS-C 50mm f/1.2 50mm

36.7 Video/Cinema Score
50mmf/16L-Mount
Why we recommend this ▼

Its f/1.2 maximum aperture captures 11.1 times more light than an f/4 lens for extreme shallow depth of field, with a 10-blade diaphragm rendering exceptionally smooth bokeh. The all-metal, click-stopped aperture ring and 336g weight deliver a premium, portable handling experience uncommon at this price. This manual-focus 50mm (75mm equivalent) is ideal for Sony E-mount hobbyist portrait and street shooters who prioritize creative control of depth of field.

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AstrHori 85mm f/1.8 II Full Frame AF 85mm

31.3 Video/Cinema Score
85mmf/16L-Mount
Why we recommend this ▼

With 1:1 magnification and a ±8° tilt function (usable in APS-C mode), this 85mm f/2.8 macro lens lets you manipulate the focus plane for creative close-ups. Its 12-blade aperture produces rounded bokeh, and the 0.12m working distance gives ample room for fill lighting. The lens is best for mirrorless shooters on Sony E, Canon RF, Nikon Z, or Fujifilm X mounts who want an affordable manual-focus macro with tilt control for product, flower, or fine-art work.

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Laowa 15mm f/5 Cookie 8-15mm

31.3 Video/Cinema Score
15mmf/22L-Mount
Why we recommend this ▼

Its 154g weight and pancake form factor make it the most portable full-frame 15mm lens available, delivering a 110° angle of view without bulk. The manual focus design and 5-blade diaphragm create distinct 10-point sunstars, while the 4.7-inch minimum focus distance enables dramatic close-up perspectives. This lens is best for landscape and street photographers who prioritize an ultralight kit and deliberate, hands-on control over autofocus speed.

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PERGEAR 35mm F1.4 35mm

30.6 Video/Cinema Score
35mmf/16L-MountIS
Why we recommend this ▼

The bright f/1.4 aperture and 10-blade diaphragm deliver strong low-light performance and smooth bokeh on full-frame L-Mount bodies. Its all-metal manual focus design with a clicked aperture ring provides a tactile, deliberate shooting experience at a budget-friendly price. This lens is best for still-life and street photographers who prioritize creative depth-of-field control over autofocus speed.

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Best Lenses under CA$1,500 for video production

Best Pick

Panasonic LUMIX S S-R28200 28-200mm

85.5 Video/Cinema Score
28-200mmf/4L-MountISWeather Sealed
Why we recommend this

Weighing just 413g, the 28-200mm f/4-7.1 zoom offers full-frame coverage with 1:2 maximum magnification and a 5.5-inch minimum focus distance for genuine macro capability. 5-axis Dual I.S. 2 stabilization and a weather-sealed body support sharp handheld shooting in rain or dust. This lens is ideal for macro photographers and lightweight travel shooters who need a single optic that excels at close-ups and landscapes.

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Price CA$998
Panasonic LUMIX S S-R28200 28-200mm lens

Great Alternatives

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Sigma DG Contemporary 24mm f/3.5 DG 24mm

71.2 Video/Cinema Score
24mmf/3.5L-MountWeather Sealed
Why we recommend this ▼

Weighing just 225g with a weather-sealed, all-metal barrel, this lens stands out for its 1:2 maximum magnification and a 108mm minimum focus distance, enabling near-macro capability in a full-frame 24mm prime. Its fast internal focus system and knurled aperture ring deliver a tactile, precise shooting experience that belies its compact size. This lens is best for hikers and travel photographers who need an ultra-light, durable wide-angle that can capture both expansive landscapes and detailed close-ups.

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Sigma DG Contemporary 24mm f/3.5 DG 24mm lens
Price CA$846

Sirui Astra 50mm

69 Video/Cinema Score
50mmT1.8L-MountISWeather Sealed
Why we recommend this ▼

With a 44mm image circle covering full-frame sensors, a constant T1.8 aperture, and 1.33x anamorphic squeeze for native 2.35:1 output, this autofocus, weather-sealed lens delivers cinematic character with reliable stabilization. Selectable blue or neutral flares and an AF/MF switch supporting LiDAR follow-focus provide direct, precise look control rarely seen in anamorphic primes. It’s best for independent filmmakers and portrait shooters needing anamorphic rendering and low-light flexibility in close-up scenarios on Sony E-mount bodies.

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Rokinon AF 35-150mm f/2-2.8

60 Video/Cinema Score
35-150mm16-22L-MountWeather Sealed
Why we recommend this ▼

A bright f/2-2.8 maximum aperture across the entire 35-150mm zoom range effectively isolates subjects with a 9-blade diaphragm for smooth bokeh. The weather-sealed, all-in-one design eliminates lens swaps during fast-paced events, supported by a responsive linear stepping motor and three custom mode switches. This lens is best for event and portrait photographers needing a single, rugged solution to cover wide-angle to telephoto perspectives.

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Rokinon AF 35-150mm f/2-2.8 lens
Price CA$1,300

Panasonic LUMIX S Pro S-R1635 16-35mm

73.5 Video/Cinema Score
16-35mmf/4L-MountWeather Sealed
Why we recommend this ▼

The constant f/4 aperture and advanced suppression of focus breathing make this 500g lens a standout for video, paired with a double-magnet linear motor achieving 480 fps sensor drive for fast, precise autofocus. Its rugged, weather-sealed build incorporates 3 aspherical and 1 ED element for high resolution in a compact, freeze-resistant design. This lens is best for hybrid shooters and videographers using L-Mount cameras who need reliable wide-angle performance in demanding conditions.

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Sigma Art 270101 70mm

66.3 Video/Cinema Score
70mmf/2.8L-Mount
Why we recommend this ▼

The optical design, featuring two high refractive index SLD elements and a floating focus system, delivers sharp 1:1 macro reproduction with minimal aberrations. Its compact 526g build and 49mm filter thread make it a lightweight, filter-friendly option for precise field work. This lens is best for macro photographers using L-Mount systems who prioritize optical clarity over autofocus speed or weather sealing.

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Sirui Astra Series T1.8 1.33x 50mm Full-Frame Anamorphic 50mm

54.4 Video/Cinema Score
50mmL-Mount
Why we recommend this ▼

The autofocus-capable 1.33x anamorphic design covers full-frame with a 44mm image circle and a fast T1.8 aperture, delivering a 2.4:1 widescreen ratio without cropping. Neutral streak flares and oval bokeh provide a natural cinematic look, while selectable manual/autofocus and a light 635g body enhance on-set adaptability. Best for Sony E-mount filmmakers needing dependable autofocus for portrait and narrative work on gimbals, where the close 1.6-foot minimum focus distance adds creative framing.

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BLAZAR LENS Beetle 45mm T3.2 1.33x 45mm

46.2 Video/Cinema Score
45mmT3.2L-Mount
Why we recommend this ▼

The 45mm T3.2 1.33x anamorphic prime covers full-frame L-mount with a fixed T3.2 aperture and weighs just 266g, offering a 1.33x squeeze for both horizontal and vertical capture via a button press. Its 0.8 mod gearing and 200° focus rotation enable precise manual pulls, while silver flares and oval bokeh deliver a classic anamorphic look in an ultracompact body. Best for portrait and street shooters on L-mount who want anamorphic character without a heavy rig, or indie video creators needing a lightweight cinematic lens.

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Samyang AF 35-150mm f/2-2.8 150mm

44.1 Video/Cinema Score
35-150mm16-22L-MountWeather Sealed
Why we recommend this ▼

Combining a fast f/2-2.8 aperture with a 35-150mm zoom range, this lens replaces multiple primes for full-frame L-mount bodies. Its optical design incorporates 6 ED and 2 aspherical elements for edge-to-edge sharpness, housed in a weather-sealed, 1210g build with three custom mode switches. This all-in-one zoom is best for event and portrait photographers who need rapid focal length changes without sacrificing low-light capability.

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BLAZAR LENS Beetle 65mm T3.2 1.33x Full-Frame Anamorphic 65mm

43.5 Video/Cinema Score
65mmL-Mount
Why we recommend this ▼

A 1.33x squeeze factor and a unique rotating mechanism allow instant switching between horizontal and vertical anamorphic capture on full-frame sensors. The ultracompact 289g build, 200° focus rotation with 0.8 mod gearing, and fixed T3.2 aperture deliver silver flares and oval bokeh in a lightweight package. This lens is best for solo shooters and content creators needing cinematic widescreen and vertical video without re-rigging their camera.

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KIPON Colibri 50mm T2.5 Full-Frame Cine 50mm

43.1 Video/Cinema Score
50mmL-Mount
Why we recommend this ▼

Its 10-blade iris and T2.5 aperture produce a unique star-shaped bokeh, while full-frame coverage and a long 300° focus rotation enable precise manual pulling. The lens shares an 80mm front diameter, 77mm filter thread, and consistent color with the Colibri family, keeping a 499g weight for streamlined rig building. This is best for solo cinematographers and portrait shooters who want a compact, character-driven 50mm cine prime.

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DZOfilm VESPID DZO-VM9021PL 90mm

41.1 Video/Cinema Score
90mmf/2.8PL-Mount (Super 16 and 2/3")
Why we recommend this ▼

A 16-blade iris and T2.8 aperture deliver exceptionally smooth, circular bokeh and precise depth-of-field control for full-frame cinematography. Its relatively compact 1361g build and standardized 80mm front diameter integrate seamlessly with common matte box systems, despite lacking weather sealing. This lens is best for independent filmmakers and videographers needing a dedicated macro prime for detailed close-up work and portrait-style interviews.

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Sirui Astra Series T1.8 1.33x 100mm Full-Frame Anamorphic 100mm

37.5 Video/Cinema Score
100mmf/22L-MountWeather Sealed
Why we recommend this ▼

Combining a fast T1.8 aperture with selectable autofocus in a full-frame anamorphic lens, the 100mm focal length delivers a 2.4:1 widescreen image with characteristic blue streak flares and no cropping. The 13-blade diaphragm creates oval bokeh and the weather-sealed, 700g build maintains a practical 67mm filter thread for on-set versatility. This lens is best for narrative filmmakers and solo operators who need the classic anamorphic look with the speed and convenience of reliable autofocus on Sony E-mount cameras.

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Simmod APSARA LUMIERE 75mm T1.4 Super Speed 75mm

35.4 Video/Cinema Score
75mmf/16L-Mount
Why we recommend this ▼

The 18-blade iris and T1.4 aperture produce an ultra-shallow depth of field with painterly bokeh and subtle highlight blooms, setting it apart from clinically sharp modern glass. Its 270° focus rotation with 0.8 MOD gears and a low-profile illuminated focus mark provide precise, repeatable pulls for manual focus workflows. This lens is best for narrative cinematographers and portrait specialists seeking vintage character with controlled flares on full-frame Leica L systems.

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Best Lenses under CA$2,000 for video production

Best Pick

Panasonic LUMIX S PRO S-E2470 24-70mm

82.7 Video/Cinema Score
24-70mmf/2.8L-MountWeather Sealed
Why we recommend this

A constant f/2.8 aperture across the 24-70mm zoom range pairs with an 18-element optical design featuring 3 aspherical and 4 ED elements to deliver high contrast and edge-to-edge sharpness. The 11-blade diaphragm produces smooth, circular bokeh for subject isolation, while the dust- and splash-resistant build ensures reliable operation in harsh conditions down to -10°C. This lens is best for portrait and professional photographers on the L-Mount system who need a versatile, weather-sealed workhorse for everything from environmental portraits to event coverage.

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Great Alternatives

These options also score highly and may better suit your specific needs

KIPON Colibri 35mm T2.5 Full-Frame Cine 35mm

44.3 Video/Cinema Score
35mmL-Mount
Why we recommend this ▼

A 10-blade iris produces distinctive star-shaped bokeh, while the 300° focus rotation provides precise manual control on this full-frame 35mm T2.5 cine lens. Consistent 80mm front diameter, 77mm filter thread, and shared 0.8 MOD gear positions across the Colibri series simplify rigging and accessory swaps. This lens is best for independent filmmakers and portrait cinematographers who value a lightweight 405g build and expressive bokeh over rugged, weather-sealed construction.

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KIPON Colibri 24mm T2.5 24mm

36.1 Video/Cinema Score
24mmf/16L-Mount
Why we recommend this ▼

Full-frame coverage and a compact 484g body combine with a T2.5 aperture and a 10-blade iris for unique star-shaped bokeh, aided by a precise 300° focus throw. Its lightweight design and consistent color rendition across the Colibri series simplify gimbal and multi-camera shoots. This lens suits indie filmmakers and content creators needing a wide-angle prime with a creative bokeh signature for interviews and narrative work.

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Best Lenses under CA$3,500 for video production

Best Pick

Panasonic LUMIX S PRO S-E70200 70-200mm

91.7 Video/Cinema Score
70-200mmf/2.8L-MountISWeather Sealed
Why we recommend this

Constant f/2.8 aperture across the 70-200mm range pairs with a 7-stop stabilization system for sharp low-light results and distinct subject separation. Its dust, splash, and freeze-resistant build houses 22 elements that minimize aberrations, delivering high-resolution clarity in demanding conditions. This lens is best for event photographers and portrait specialists who require unwavering autofocus speed and rugged reliability on L-Mount bodies.

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Leica Summicron-SL 11185 50mm

55.9 Video/Cinema Score
50mmf/2L-MountWeather Sealed
Why we recommend this ▼

The 12-element optical design with three aspherical elements delivers apochromatic correction for exceptional sharpness and contrast across the full-frame image circle. Its fast, near-silent Dual Syncro Drive autofocus pairs with a weather-sealed, AquaDura-coated brass barrel built to "Made in Germany" standards for reliable field use. This 50mm f/2 prime is best for portrait photographers who demand reference-grade rendering and robust build quality over lightweight travel convenience.

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Leica Vario-Elmar-SL 100-400mm f/5-6.3

45 Video/Cinema Score
100-400mmf/22L-MountISWeather Sealed
Why we recommend this ▼

The 100-400mm range provides the broadest telephoto reach in the SL-System, paired with a 4-stop optical stabilizer for sharp handheld shots at full extension. Its weather-sealed, relatively compact 1480g build and AquaDura coating ensure reliable performance in rain or snow without excessive bulk. This lens is best for wildlife and sports photographers using an SL2 or SL2-S body who need fast, precise autofocus tracking in challenging outdoor conditions.

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Panasonic LUMIX S S-R100500 100-500mm

42.9 Video/Cinema Score
100-500mm29-40L-MountISWeather Sealed
Why we recommend this ▼

With a compact 7.7-inch barrel and 7-stop Dual I.S. stabilization, this 100-500mm f/5-7.1 L-mount lens enables sharp handheld telephoto shooting across its range. Its 19-element, 12-group optical design with 4 ED elements delivers crisp details and smooth bokeh, enhanced by an 11-blade diaphragm and a 2.6-foot close focus that provides 1:2.8 magnification for near-macro results. Best for landscape photographers needing telephoto compression and wildlife or motorsports shooters who prioritize portability and weather-sealed durability.

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Panasonic LUMIX S S-R100500 100-500mm lens
Price CA$2,298

Premium Lenses for video production

Best Pick

Leica Vario-Elmarit-SL 70-200mm f/2.8 ASPH

85 Video/Cinema Score
70-200mmf/2.8L-MountISWeather Sealed
Why we recommend this

A constant f/2.8 aperture paired with 3.5-stop optical stabilization and three aspherical elements delivers sharp, aberration-free results across the full frame. Its dust and moisture-resistant build with Aqua-Dura coating ensures reliable performance in challenging conditions, despite a heavier 1540g weight. This lens is best for video cinematographers and portrait photographers who prioritize optical precision and robust build quality over travel-friendly portability.

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Great Alternatives

These options also score highly and may better suit your specific needs

Sigma Sports 598969 600mm

56.6 Video/Cinema Score
300-600mmf/22L-MountISWeather Sealed
Why we recommend this ▼

Delivering the reach of a super-telephoto prime with the flexibility of a zoom, this lens maintains a constant f/4 aperture across its entire 300-600mm range, paired with an HLA-driven AF motor and 5.5-stop stabilization. Its weather-sealed magnesium alloy build and internal zoom mechanism ensure robust, balanced handling in demanding field conditions. This lens is best for wildlife and sports photographers who need uncompromising speed and optical quality without swapping fixed focal lengths.

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Sigma Sports 598969 600mm lens
Price CA$8,899

Leica Summicron-SL 35mm f/2 ASPH 35mm

71.3 Video/Cinema Score
35mmf/2L-MountWeather Sealed
Why we recommend this ▼

The advanced optical design with 3 aspherical and 3 ED elements delivers exceptional sharpness, while the 12-blade diaphragm creates smooth bokeh from its f/2 aperture. Its compact 400g build and whisper-quiet autofocus make it a discreet, weather-sealed tool for hybrid shooters. This lens is best for portrait photographers and videographers needing a robust, lightweight 35mm prime with a classic rendering on the L-Mount system.

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Leica Summicron-SL 35mm f/2 ASPH 35mm lens
Price CA$3,655

Sigma Cine 28-105mm T3 FF Cine 105mm

39.4 Video/Cinema Score
28-105mmT22L-Mount
Why we recommend this ▼

Constant T3 aperture across the 28-105mm zoom range and a 12-blade iris maintain exposure and soft bokeh, while the AF/MF switch brings rare autofocus to a cine lens. The 1300g build and 15.7-inch minimum focus distance offer versatile close-framing without heavy rigging, though it skips weather sealing. Best for indie filmmakers and solo shooters who need a single full-frame zoom with AF for handheld documentary or event work.

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Leica Super-Vario-Elmarit-SL 24mm

35 Video/Cinema Score
14-24mmf/22L-MountWeather Sealed
Why we recommend this ▼

The constant f/2.8 aperture across a 14-24mm zoom range, combined with three aspherical elements and Aqua-Dura coatings, ensures edge-to-edge sharpness and a sweeping 114-degree field of view. Its all-metal, dust and moisture-resistant design provides durability for outdoor use, while the fast autofocus system reliably handles moving subjects. This lens is best for landscape and architectural photographers who need a rugged, bright ultra-wide zoom with precise autofocus in challenging environments.

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Leica Super-APO-Summicron-SL 21mm f/2 ASPH. 21mm

32.7 Video/Cinema Score
21mmf/22L-Mount
Why we recommend this ▼

A world-first apochromatic correction at 21mm pairs with an f/2 constant aperture and dual synchro drive autofocus, delivering distortion-free edge-to-edge sharpness. Its exceptionally light 95g full-frame build makes it one of the most portable ultra-wide Leica primes without sacrificing optical precision. This lens suits street and architectural photographers who need a discreet, fast 21mm for high-clarity work in tight spaces.

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