Best Pick

Tamron SP A032 24-70mm

84.8 Video/Cinema Score
24-70mmf/2.8Nikon FISWeather Sealed
Why we recommend this

The constant f/2.8 aperture combined with 5-stop Vibration Compensation and a sophisticated 17-element optical design with eBAND coatings delivers sharp, high-contrast images in challenging light. Its weather-sealed, moisture-resistant construction and fluorine-coated front element provide durability for field use without a premium price tag. This lens is best for landscape and travel photographers who need a reliable, stabilized standard zoom with full-frame coverage.

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Great Alternatives

These options also score highly and may better suit your specific needs

Sigma Art 18-35mm f/1.8 DC HSM

82.9 Video/Cinema Score
18-35mmf/1.8Nikon F
Why we recommend this ▼

A constant f/1.8 aperture across its 18-35mm zoom range makes this lens a unique APS-C workhorse, delivering full-frame-equivalent depth of field control and low-light performance unmatched by standard zooms. Its optical design, incorporating 4 aspherical and 5 SLD elements, ensures high sharpness and contrast, while the Hyper Sonic Motor provides fast, quiet autofocus. This lens is best for portrait and event photographers using Canon EF-mount APS-C bodies who need a single, bright zoom to replace multiple fast primes.

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Nikon NIKKOR 24mm f/1.4G ED 24mm

80.7 Video/Cinema Score
24mmf/1.4Nikon FWeather Sealed
Why we recommend this ▼

The f/1.4 aperture combined with Nano Crystal Coating and ED glass delivers exceptional low-light performance and sharpness with controlled flares. Its durable weather-sealed build and 12-blade diaphragm produce a painterly look with expressive bokeh and subtle highlight blooms. This lens is best for portrait and video shooters using Nikon F-mount DSLRs who need a wide-angle prime with organic rendering and shallow depth of field.

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Zeiss Otus ML 50mm f/1.4 50mm

44.6 Video/Cinema Score
50mmf/16Nikon FWeather Sealed
Why we recommend this ▼

Its Distagon optical design with 14 elements, including 4 ED and 1 aspherical lens, delivers exceptional sharpness and aberration control for a manual-focus 50mm f/1.4 prime. The modernized, weather-sealed build is notably compact and portable, paired with a smooth 260° focus throw for precise control. This lens is best for deliberate stills photographers and filmmakers who prioritize optical rendering over autofocus speed.

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Sigma Contemporary 18-300mm f/3.5-6.3 DC Macro OS HSM

70 Video/Cinema Score
18-300mmf/3.5Nikon FIS
Why we recommend this ▼

The 16.7x all-in-one 18-300mm focal range with 1:3 macro capability makes this bundle stand out for sheer versatility, supported by a Hyper Sonic Motor and Optical Stabilization. Its optical design with aspherical and ED elements ensures decent sharpness across the zoom range in a compact, travel-friendly build that pairs with extensive accessories. Best for street photographers and Nikon DX hobbyists needing a single-lens solution that can also capture detailed close-ups without switching glass.

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Sigma EX DG 200110 12-24mm

57.7 Video/Cinema Score
12-24mmf/4.5Nikon FIS
Why we recommend this ▼

Delivering a 122-degree diagonal field of view at 12mm, this lens captures expansive scenes that standard zooms cannot reach. Its Super Multi Coating effectively suppresses flare and ghosting, while the internal focus ring maintains the lens length during operation. This is a practical tool for architectural and landscape photographers on a budget who prioritize extreme wide-angle coverage over a fast aperture.

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Sigma EX DG 200110 12-24mm lens
Price $760

Sigma 723-306 135-400mm

44.5 Video/Cinema Score
135-400mmf/4.5Nikon F
Why we recommend this ▼

A 135-400mm f/4.5-5.6 zoom lens with 1 aspherical and 3 ED elements delivers super-telephoto reach in a compact 104-gram body. Its minimal weight makes it practical for all-day handheld shooting without the bulk of typical telephoto zooms. It’s best for street photographers needing a discreet, lightweight super-telephoto lens for candid captures.

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Nikon AF-S Teleconverter TC-20E III

41.8 Video/Cinema Score
Nikon F
Why we recommend this ▼

Doubling focal length while maintaining autofocus, this teleconverter uses an aspherical element and a 7-element/5-group optical design to preserve superior contrast and resolution. Its compact, 329g build makes it a highly portable way to extend telephoto reach without the cost of a new super-telephoto lens. This accessory is best for wildlife and sports photographers using compatible Nikon F-mount primes who need 2x magnification and can accept the resulting light loss.

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Canon 18-35mm f/1.8 DC HSM Art

39.3 Video/Cinema Score
18-35mmf/16Nikon F
Why we recommend this ▼

A constant f/1.8 aperture across an 18-35mm zoom range delivers unprecedented low-light capability and depth-of-field control for an APS-C lens. Its optical formula, incorporating four aspherical and five SLD glass elements, ensures sharpness and contrast that rival prime lenses. This lens is best for portrait photographers on Nikon DX systems who need a fast, versatile zoom without sacrificing background separation.

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Trioplan 50mm f/2.8 II 50mm

34.5 Video/Cinema Score
50mmf/2.8Nikon F
Why we recommend this ▼

Its revised triplet design with coated Schott glass and a 12-blade diaphragm produces the signature soap bubble bokeh with improved contrast and central sharpness. The manual-focus lens now includes a close-focusing function down to 15.7 inches, adding versatility to its distinct vintage rendering. This lens is best for portrait photographers who prioritize unique, swirly background blur over modern optical perfection.

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