Best Lenses under $500 for video production

Best Pick

Sigma Contemporary 30mm f/1.4 DC DN 30mm

87.9 Video/Cinema Score
30mmf/1.4Nikon ZWeather Sealed
Why we recommend this

The bright f/1.4 aperture and 45mm full-frame equivalent field of view make this a versatile normal prime for APS-C shooters, delivering strong subject separation and low-light capability. Its compact 265g build includes weather sealing at the mount and a stepping motor for quiet, smooth autofocus that benefits video recording. This lens is best for street and travel photographers who prioritize a lightweight, fast-aperture setup with dependable autofocus.

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Sigma WR-UV-Filter AFK9B0

83.9 Video/Cinema Score
135mmf/1.4Sony EISWeather Sealed
Why we recommend this ▼

The f/1.8 aperture and specialized FLD/SLD glass elements deliver exceptional sharpness and subject isolation, making it a standout portrait lens. Its Hyper Sonic Motor provides fast, quiet autofocus, while the durable brass bayonet mount and TSC material ensure long-term reliability. This lens is best for portrait photographers who need uncompromising optical performance and smooth bokeh in a full-frame E-mount system.

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Sigma 258205

82 Video/Cinema Score
105mmf/2.8Canon EFISWeather Sealed
Why we recommend this ▼

Delivering true 1:1 macro reproduction with a 295mm minimum focus distance, this lens combines one SLD element and Super Multi-Layer Coating for sharp, high-contrast images free of aberrations. Its weather-sealed, 710g build and built-in optical stabilization provide reliable handheld shooting in the field. This is best for macro photographers and portraitists on Sony E-mount who need a stabilized, life-size optic with strong color accuracy.

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Sigma 258205 lens
Price $345

Sigma DG Contemporary 24mm f/3.5 DG 24mm

71.2 Video/Cinema Score
24mmf/3.5L-MountWeather Sealed
Why we recommend this ▼

Weighing just 225g with a weather-sealed, all-metal barrel, this lens stands out for its 1:2 maximum magnification and a 108mm minimum focus distance, enabling near-macro capability in a full-frame 24mm prime. Its fast internal focus system and knurled aperture ring deliver a tactile, precise shooting experience that belies its compact size. This lens is best for hikers and travel photographers who need an ultra-light, durable wide-angle that can capture both expansive landscapes and detailed close-ups.

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Sigma AF DC 18-200mm F3.5-6.3 II DC OS HSM

67.7 Video/Cinema Score
18-200mmf/3.5Sony AIS
Why we recommend this ▼

The 18-200mm zoom covers a 27-300mm equivalent range on APS-C cameras, with image stabilization and auto panning detection in a lightweight 405g body. A 0.45m minimum focus and 1:4.4 magnification enable versatile close-up shooting, while 72mm filter threads support easy accessory use. This lens suits outdoor travelers and hobbyists needing a single all-in-one option for landscapes and macro work, though portraiture results remain modest.

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Sigma APO EX DG OS HSM Macro 150mm f/2.8 AF

64.7 Video/Cinema Score
150mmf/2.8Canon EFISWeather Sealed
Why we recommend this ▼

The 150mm focal length combined with a bright f/2.8 aperture and 4-stop optical stabilization delivers sharp 1:1 macro images from a comfortable 15-inch working distance, aided by three SLD elements and Super Multi-layer coating. Its splash-proof build and flat-field front element make it equally capable for precise copy work and weather-sealed field use. This lens is best for macro photographers shooting skittish insects or detailed portraits who need extra subject distance without sacrificing life-size magnification.

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Sigma EX DC OS HSM 583101 17-50mm

60.8 Video/Cinema Score
17-50mmf/22Nikon FIS
Why we recommend this ▼

A8 constant f/2. aperture across the 17-50mm zoom range pairs with FLD and aspherical elements to deliver sharp, high-contrast images with strong aberration correction. The built-in optical stabilization provides 4 stops of compensation, and the HSM motor enables fast, quiet autofocus in a relatively compact 565g body. This lens is best for APS-C Nikon F-mount portrait and event shooters who need bright, stabilized standard zoom performance on a budget.

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Sigma EX DC OS HSM 583101 17-50mm lens
Price $193

Sigma EX DC HSM 10-20mm f/3.5 20mm

58.5 Video/Cinema Score
10-20mmf/22Nikon FIS
Why we recommend this ▼

A constant f/3.5 aperture across the 10-20mm zoom range provides consistent exposure control, supported by 3 ED and 4 aspherical elements to curb distortion. The HSM autofocus motor delivers quiet, fast focusing, while the built-in stabilization aids handheld shooting in tight interiors. This lens is best for APS-C landscape photographers needing an ultra-wide perspective without the bulk, weighing just 520g.

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Sigma EX DC HSM 10-20mm f/3.5 EX DC HSM 20mm lens
Price $479

Sigma 668101 17-70mm

58.4 Video/Cinema Score
17-70mmf/2.8Sony EIS
Why we recommend this ▼

With a 4-stop Optical Stabilizer and an 8.7-inch close focus across its f/2.8-4 range, this 17-70mm zoom delivers 1:2.7 macro shots and low-light flexibility. The HSM autofocus and viewfinder-visible stabilization keep the 535g build steady for handheld use, aided by anti-shake technology that works independently of camera body stabilization. It’s best for Sony APS-C shooters needing a single, budget-friendly lens for both everyday scenes and detailed close-up photography.

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Sigma DG Macro 70-300mm f/4-5.6

54 Video/Cinema Score
70-300mmf/4Canon EFIS
Why we recommend this ▼

A 1:2 macro mode at 300mm combined with three SLD glass elements and a 540g body make this telezoom a versatile, lightweight option for close-up reach. Its built-in motor ensures autofocus on all Nikon DSLRs, while the super multi-layer coating effectively cuts flare. Best for budget-minded Nikon shooters who want a single, portable lens to capture distant wildlife and detailed flower shots in daylight.

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Sigma 8-16mm f/4.5-5.6 DC HSM

41.6 Video/Cinema Score
8-16mmf/5.6Canon EF
Why we recommend this ▼

An 8-16mm focal range delivers a 121° angle of view on APS-C sensors, with HSM autofocus and three aspherical elements with Super Multi-Layer Coating to minimize ghosting. Weighing just 555 grams, it remains highly portable for an ultra-wide zoom without compromising optical precision. This lens is best for architectural interiors and street shooters who need dramatic, distortion-free perspectives in tight spaces.

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Sigma 8-16mm f/4.5-5.6 DC HSM lens
Price $493

Sigma EX DG 485306 8mm

35.2 Video/Cinema Score
8mmf/22Nikon F
Why we recommend this ▼

Its defining characteristic is the full 180-degree circular image it projects onto full-frame sensors, creating a distinctive, frame-filling fisheye effect. The use of SLD glass and a Super Multi-Layer coating ensures strong correction of chromatic aberration and effective flare suppression for clean image quality. This lens is best for experimental photographers and astrophotographers seeking a dedicated circular fisheye perspective, not a standard rectilinear wide-angle.

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Sigma EX DG 485306 8mm lens
Price $409
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Best Lenses under $1,000 for video production

Best Pick

Sigma Contemporary 12mm f/1.4 DC

95.1 Video/Cinema Score
12mmf/1.4Canon RFWeather Sealed
Why we recommend this

Combining an ultra-bright f/1.4 aperture with a compact 225g build, this 12mm prime delivers a 19.2mm full-frame equivalent view ideal for low-light landscapes and vlogging. Its stepping motor provides fast, quiet autofocus with minimal focus breathing, while the dust- and splash-resistant construction ensures reliability outdoors. This lens is best for street photographers and vloggers needing a lightweight, weather-sealed wide-angle with strong subject separation.

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Sigma Art 17-40mm f/1.8 DC 40mm

91.5 Video/Cinema Score
17-40mmf/1.8Fujifilm XWeather Sealed
Why we recommend this ▼

A constant f/1.8 aperture across the entire 17-40mm zoom range delivers prime-like optical performance in a weather-sealed, 535g body. Its 11-blade diaphragm and Super Multi-Layer Coating produce smooth bokeh with suppressed flare, while the HLA motor provides fast, quiet autofocus for hybrid shooting. This lens is best for portrait and event photographers on Fujifilm X-mount who need a bright, versatile standard zoom without carrying multiple primes.

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Sigma 883101 18-250mm

63.6 Video/Cinema Score
18-250mmf/3.5Canon EF-SIS
Why we recommend this ▼

An expansive 13.9x zoom range (27–375mm equivalent on APS‑C) with 4‑stop stabilization and a lightweight 454g body defines this all-in-one superzoom. A 1:2.9 macro capability allowing focus as close as 35cm adds close‑up versatility, while the Super Multi‑Layer Coating reduces flare for consistent contrast. This lens is ideal for travelers and hobbyists on Canon, Nikon, or Sony APS‑C DSLRs who need a single, portable optic covering everything from wide landscapes to distant details with occasional macro.

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Sigma EX DC HSM Fisheye 10mm f/2.8 10mm

59.5 Video/Cinema Score
10mmf/2.8Sigma
Why we recommend this ▼

The 154° diagonal field of view creates a unique rectangular fisheye perspective with exaggerated distortion, while the f/2.8 aperture and HSM autofocus enable sharp, dramatic close-ups from just 0.7 inches away. Its Super Multi-Layer Coating reduces flare and ghosting, and the 56g weight makes it exceptionally portable for a specialized lens. This lens is best for portrait and macro photographers on APS-C systems who want extreme, creative compositions rather than corrected wide-angle shots.

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Sigma EX DC HSM Fisheye 10mm f/2.8 EX DC HSM Fisheye 10mm lens
Price $745

Sigma EX DG 200110 12-24mm

57.7 Video/Cinema Score
12-24mmf/4.5Nikon FIS
Why we recommend this ▼

Delivering a 122-degree diagonal field of view at 12mm, this lens captures expansive scenes that standard zooms cannot reach. Its Super Multi Coating effectively suppresses flare and ghosting, while the internal focus ring maintains the lens length during operation. This is a practical tool for architectural and landscape photographers on a budget who prioritize extreme wide-angle coverage over a fast aperture.

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Sigma EX DG 200110 12-24mm lens
Price $760

Best Lenses under $1,500 for video production

Best Pick

Sigma Sports 70-200mm f/2.8 DG DN OS

70.6 Video/Cinema Score
70-200mmf/22Sony EISWeather Sealed
Why we recommend this

Dual HLA motors deliver fast, quiet autofocus and the OS2 algorithm provides 7.5 stops of stabilization, making this f/2.8 telephoto zoom exceptionally steady for handheld work. Its internal zoom mechanism and weather-sealed Sports-line build resist dust and moisture while minimizing focus breathing for consistent framing. This lens is best for sports and wildlife photographers using Sony E-mount who need reliable subject tracking and sharp results in challenging outdoor conditions.

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Sigma 736101 50-500mm

47 Video/Cinema Score
50-500mmf/4Canon EF
Why we recommend this ▼

A 10x zoom ratio spanning 50-500mm provides exceptional versatility, while four SLD glass elements and super coating effectively suppress chromatic aberration and flare. The HSM motor delivers quiet, fast autofocus with full-time manual override, and the included zoom lock switch prevents lens creep during transport. This lens is best for outdoor portrait and street photographers needing a single, adaptable telephoto solution on a budget.

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Best Lenses under $2,500 for video production

Best Pick

Sigma Art 35mm f/1.2 DG II 35mm

73.2 Video/Cinema Score
35mmf/1.2Sony EWeather Sealed
Why we recommend this

The f/1.2 maximum aperture combined with an HLA-driven high-speed AF motor delivers exceptional subject separation and reliable focus in low light. Its optical design, featuring 4 aspherical elements and an 11-blade diaphragm, produces smooth bokeh while the dust- and splash-resistant construction ensures durability in challenging conditions. This lens is best for professional portrait and wedding photographers who need a fast, weather-sealed 35mm prime with expressive rendering.

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Premium Lenses for video production

Best Pick

Sigma Contemporary 150-600mm f/5-6.3 DG OS HSM

44.8 Video/Cinema Score
150-600mmf/5Nikon FISWeather Sealed
Why we recommend this

The 150-600mm zoom range, supported by a Hyper Sonic Motor and Optical Stabilization, delivers sharp handheld shots of distant subjects. Its optical design, with one FLD and three SLD elements plus a Super Multi-Layer Coating, minimizes aberrations and flare for clear, high-contrast images. This lens is best for wildlife and sports photographers using Nikon F-mount who need an affordable, stabilized super-telephoto reach.

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