Best Pick

Sony G SELP28135G.SYX 28-135mm

92.3 Video/Cinema Score
28-135mmf/4Sony EISWeather Sealed
Why we recommend this

A servo-powered zoom mechanism and constant f/4 aperture across the 28-135mm range make this a standout for controlled video environments. Optical SteadyShot stabilization and a Nano AR Coating ensure sharp, consistent footage, while the full-frame E-mount compatibility offers wide creative latitude. This lens is best for documentary filmmakers and event videographers who need a single, reliable parfocal zoom for run-and-gun shooting.

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Price $2,898
Sony G SELP28135G.SYX 28-135mm lens

Great Alternatives

These options also score highly and may better suit your specific needs

Leica Vario-Elmarit-SL 70-200mm f/2.8 ASPH

85 Video/Cinema Score
70-200mmf/2.8L-MountISWeather Sealed
Why we recommend this ▼

A constant f/2.8 aperture paired with 3.5-stop optical stabilization and three aspherical elements delivers sharp, aberration-free results across the full frame. Its dust and moisture-resistant build with Aqua-Dura coating ensures reliable performance in challenging conditions, despite a heavier 1540g weight. This lens is best for video cinematographers and portrait photographers who prioritize optical precision and robust build quality over travel-friendly portability.

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Leica Vario-Elmarit-SL 70-200mm f/2.8 ASPH lens
Price $3,525

Canon EF 400mm f/2.8L IS III USM 400mm

83.9 Video/Cinema Score
400mmf/2.8Canon EFISWeather Sealed
Why we recommend this ▼

The combination of fluorite and Super UD elements with a bright f/2.8 aperture delivers exceptional clarity and color accuracy while isolating subjects against beautifully rendered bokeh. Its relatively light 2,900g build and 5.5-stop image stabilization make handheld shooting viable, a rare feat for a 400mm super-telephoto prime. This lens is best for professional sports and wildlife photographers who need uncompromising sharpness and fast autofocus in a weather-sealed, portable design.

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Fujifilm XF500mmF5.6 R LM OIS WR 500mm

71.8 Video/Cinema Score
500mmf/22Fujifilm XISWeather Sealed
Why we recommend this ▼

Delivering a 762mm full-frame equivalent reach in a remarkably compact 1335g body, this super-telephoto prime pairs 5.5-stop stabilization with a fast linear motor to fully resolve 40.2MP X-series sensors. Its weather-sealed construction and 9-blade diaphragm enable sharp subject separation in harsh conditions without the bulk typical of this focal length. This lens is best for wildlife and sports photographers who need handheld 500mm reach and cannot compromise on portability or autofocus speed.

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Canon RF 24-105mm f/2.8 L IS USM Z 105mm

81.3 Video/Cinema Score
24-105mmf/22Canon RFISWeather Sealed
Why we recommend this ▼

Combining a first-of-its-kind constant f/2.8 aperture with a 24-105mm zoom range, this lens eliminates the need to swap optics for low-light shooting up to 105mm. It uniquely integrates a dedicated, click-less iris ring for smooth cinematic exposure control, paired with dual Nano USM motors for silent autofocus and up to 8 stops of coordinated stabilization. This lens is best for hybrid shooters and photojournalists who need a single, weather-sealed solution for both 4K video production and event photography.

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Sony G Master SEL400F28GM 400mm

80.3 Video/Cinema Score
400mmf/2.8Sony EISWeather Sealed
Why we recommend this ▼

Weighing just 2,895g, this is the lightest 400mm f/2.8 full-frame lens in its class, using three fluorite elements and a magnesium alloy build to achieve that portability without sacrificing durability. Its XD Linear Motors deliver fast, accurate autofocus, while the 11-blade aperture and Nano AR Coating produce sharp images with smooth bokeh and minimal flare. This lens is best for sports and wildlife photographers who need to pan quickly and shoot handheld in low-light conditions.

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Sony G Master SEL400F28GM 400mm lens
Price $12,998

Panasonic Lumix G Leica DG Elmarit H-ES200 200mm

70.6 Video/Cinema Score
200mmf/2.8Micro Four ThirdsISWeather Sealed
Why we recommend this ▼

The 200mm f/2.8 prime combines a Leica-certified optical path with a bright constant aperture, delivering sharp subject isolation and beautiful bokeh on Micro Four Thirds bodies. Its triple linear motor autofocus and built-in POWER O.I.S. ensure fast, stabilized acquisition, while the weather-sealed, freezeproof build and included 1.4x teleconverter add field-ready versatility. This lens is best for portrait and professional wildlife photographers who need a 400mm equivalent reach in a relatively compact, rugged package.

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Panasonic Lumix G Leica DG Elmarit H-ES200 200mm lens
Price $2,998

OM System M.Zuiko Digital ED 50-200mm f/2.8 IS PRO

70.3 Video/Cinema Score
50-200mmf/22Micro Four ThirdsISWeather Sealed
Why we recommend this ▼

A constant f/2.8 aperture across a 100-400mm equivalent range in a 1,075g, IP53 weather-sealed body makes this lens uniquely portable for super-telephoto work. Its 7-stop synchronized 5-axis image stabilization enables sharp handheld shooting at extreme focal lengths, complemented by a 0.5x maximum magnification for close-up detail. This is the ideal lens for wildlife and sports photographers who need a rugged, lightweight setup for all-day outdoor use without a tripod.

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Sony FE 400-800mm f/6.3-8 G OSS

68 Video/Cinema Score
400-800mmf/6.3Sony EISWeather Sealed
Why we recommend this ▼

Delivering an 800mm native reach that extends to 1600mm with teleconverters, its internal zoom design keeps the 2.5 kg lens balanced and sealed against the elements. Remarkable close-up capability for a super-telephoto, focusing down to 1.7 m at 0.23x magnification, allows frame-filling shots of small wildlife. This lens is ideal for birders, sports photographers, and videographers who demand 800mm reach with smooth, breathing-free video capture.

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Leica Summilux-M 50mm f/1.4

66.6 Video/Cinema Score
50mmf/1.4Leica MWeather Sealed
Why we recommend this ▼

Its classic optical formula, updated with modern coatings, delivers sharp subject isolation and the signature soft bokeh at f/1.4 that defines this lens. The all-brass, chrome-plated body is handmade in Germany, offering a precise manual focus feel and a robust build that contrasts with modern autofocus lenses. This lens is best for portrait photographers and detail-oriented shooters who prioritize a tactile, deliberate shooting experience and a unique, vintage rendering over speed or versatility.

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Pentax D FA 90mm f/2.8 ED AW SR 90mm

66.4 Video/Cinema Score
90mmf/2.8PENTAX 645 AF2ISWeather Sealed
Why we recommend this ▼

Delivering a 0.5X maximum magnification, this lens doubles as a high-quality macro optic with a fast f/2.8 aperture for shallow depth-of-field control. Its fully weather-sealed, robust build incorporates in-lens Shake Reduction and advanced HD and Aero Bright coatings to suppress flare in challenging light. This is best for Pentax 645 medium-format portrait photographers who also require a rugged, all-weather lens for detailed close-up work in the field.

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ARRI BLACKWING BW7-S-TUNED-SINGLE-17MM-LENS-PL-MOUNT 17mm

55.1 Video/Cinema Score
17mmf/1.9ARRI PL
Why we recommend this ▼

The X-Tuned variant delivers a precisely calibrated, low-contrast look with controlled halation and smooth focus fall-off at a fast T1.9 aperture across full-frame sensors. Its compact, lightweight build and consistent 95mm front diameter across the Blackwing7 set streamline matte box and filter workflows on set. This lens is best for cinematographers seeking a vintage-inspired, flattering image for narrative film and commercial work without the inconsistency of rehoused stills glass.

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Fujinon XT17sx45BRMK1 5-77mm

50.6 Video/Cinema Score
4-77mmf/1.6JVC ProHD 1/3"
Why we recommend this ▼

A constant f/1.6 aperture across the 4.5-77mm zoom range delivers consistent exposure and depth-of-field control for HD ENG shooting. Its exceptional image quality ensures sharp, detailed footage across varied broadcast scenes without the bulk of larger-format glass. This lens is best for news videographers and event shooters using JVC ProHD 1/3" cameras who need a reliable, all-purpose zoom.

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