Best Video/Cinema Lenses Under £400 in 2026
Meike 23mm F1.4 Ultra Wide Angle APS-C Frame Auto Focus Fixed Prime Portrait Lenses 23mm
Great Alternatives
These options also score highly and may better suit your specific needs
Sony E SELP1650 16-50mm
Why we recommend this ▼
A compact 16-50mm power zoom for Sony E-mount pairs ED and aspherical elements with built-in Optical SteadyShot stabilization, collapsing to just 29.9mm and weighing only 198g. The quiet power zoom motor and 30cm minimum focus deliver smooth, near-silent pulls ideal for video, while its retractable design makes it an effortlessly portable everyday lens. This is best for vloggers and hybrid shooters who need stable handheld footage and smooth zoom control over ultimate landscape sharpness.
Viltrox Air AF 14mm F4.0 Air 14mm
Why we recommend this ▼
Its 14mm focal length and f/4 constant aperture provide a 112° field of view on full-frame Nikon Z, controlled by a 12-element optical design with ED and aspherical glass to minimize distortion, all packed into a 185g body. A 13cm minimum focus distance enables near-macro close-ups, while the quiet STM autofocus and a USB-C firmware upgrade port enhance video and long-term usability. This lens suits street photographers and video creators wanting a featherweight, sharp ultra-wide prime that doubles as a creative close-up tool on Z-mount cameras.
Samyang AF 35mm f/1.8 FE 35mm
Why we recommend this ▼
At just 210g with weather sealing, the Samyang AF 35mm f/1.8 FE pairs a bright f/1.8 aperture with a Linear STM motor for swift, silent autofocus in a compact full-frame design. Its Ultra Multi-Coating suppresses flare and ghosting, while the custom switch provides quick on-lens control without menu diving—ideal for hybrid video and stills shooters. This lens best suits street photographers who need a discreet, fast-focusing 35mm prime with tactile personalization.
Meike Neo Series MK-5514STM-Z 55mm
Why we recommend this ▼
The 55mm f/1.4 aperture on APS-C provides strong subject separation with 9 rounded blades, while its STM motor enables silent autofocus for video work. At 400g with a Type-C firmware port, it pairs lightweight handling with online updatability. Best for portrait photographers shooting on Sony E-mount APS-C bodies who need fast aperture and quiet AF for weddings.
Viltrox AF AF 20mm f/2.8 20mm
Why we recommend this ▼
The Viltrox 20mm f/2.8 FE weighs only 157g yet offers weather sealing and a fast STM autofocus, making it a remarkably compact full-frame wide-angle. Its optical design with two ED and two aspherical elements pairs well with a 0.19m minimum focus distance for close-up detail. Best suited for landscape and video shooters who need a lightweight, weather-resistant ultra-wide on Sony E-mount.
Zeiss Touit 32mm f/1.8 32mm
Why we recommend this ▼
The f/1.8 aperture combined with T* anti-reflective coating and an 8-element optical design delivers sharp, low-light imaging with minimal flare. A lightweight 200g build and 9-blade circular diaphragm make it a portable prime that produces smooth, natural bokeh for creative control. This lens is best for portrait and street photographers using Sony APS-C cameras, offering a 48mm equivalent field of view with fast, silent autofocus.
7Artisans Hope Series 16mm T2.1 16mm
Why we recommend this ▼
The T2.1 aperture and 260° focus throw allow precise manual pulls, while the 15-element optical design effectively suppresses breathing for clean footage. Weighing 600g with weather sealing and a 77mm thread, its 260mm close focus enables macro-style shots on MFT mounts. Best for MFT macro videographers and indie filmmakers seeking a wide cine lens with robust build and precise, breathing-free control.
Yongnuo YN 33mm f/1.4 DA DSM WL Pro 33mm
Why we recommend this ▼
The 33mm f/1.4’s bright aperture and weather-sealed, 370g aircraft-grade aluminum build deliver a fast standard prime for Sony APS-C cameras. Its customizable Fn key and USB-C firmware upgrades add practical control rarely found at this tier. This lens best suits Sony E-mount shooters needing an affordable 50mm-equivalent for portraits, street scenes, and gimbal video work.
Sony KZ-03 24mm
Why we recommend this ▼
Weighing just 119 grams, this conversion lens threads onto Sony's 16-50mm kit optic to deliver a 105-degree, 16mm ultrawide perspective and instantly detaches into a 10X macro lens with multi-coated corrective elements for minimal distortion. Its screw-on 40.5mm mount works with multiple Sony E-mount cameras and kit lenses, making it a cost-effective way to expand focal range without carrying dedicated wide-angle or macro glass. It's best for Sony ZV-E10 and A6xxx series owners who need a pocketable, dual-purpose lens for quick macro close-ups and wide-angle vlogging.
AstrHori 6mm F2.8 220° Ultra Wide Circular Fisheye 6mm
Why we recommend this ▼
The 220° ultra-wide circular fisheye perspective and bright f/2.8 aperture on a full-frame sensor produce dramatic barrel distortion and strong low-light performance for surreal imagery. Its 0.08m minimum focus distance enables a striking crystal-ball macro effect, while the 330g all-metal body and smooth de-clicked aperture ring make it well-suited for video work. This manual lens is best for concert and astrophotography creators seeking exaggerated perspectives that warp city streets into bubbles and the Milky Way into a vortex.
Samyang Prima Series AF 85mm f/1.8 P FE 85mm
Why we recommend this ▼
The 272g build, full weather-sealing, and f/1.8 aperture with HR, ED, and aspherical elements set this 85mm prime apart. Its linear STM motor provides silent autofocus for video, while the 9-blade diaphragm and USB-C port for updates add practical value. This lens best suits Sony full-frame photographers needing a discreet, weather-resistant option for travel, street, and portrait work.
7Artisans 50mm f/1.4 Tilt-Shift 50mm
Why we recommend this ▼
The 7Artisans 50mm f/1.4 tilt-shift lens combines shift and tilt movements with a fast f/1.4 aperture, enabling miniature effects and extremely shallow depth of field. Its all-metal build, de-clicked aperture ring, and 12-blade diaphragm offer precise control for smooth bokeh transitions and video work. This manual-focus lens is best for APS-C portrait and still-life photographers wanting an affordable entry into creative tilt-shift effects.
7Artisans Lite Series 35mm f/1.8 AF 35mm
Why we recommend this ▼
The 35mm f/1.8 prime uses an 11-element optical design with two aspherical and one ED element, paired with a silent STM motor and built-in stabilization for sharp, full-frame Nikon Z images. A stepless aperture ring and photo/video switch enable smooth, cinematic depth-of-field transitions and minimal focus breathing despite the substantial 730g metal body. This lens suits portrait photographers and hybrid creators needing reliable autofocus with subject tracking and soft f/1.8 bokeh.
Sigma Contemporary 20mm f/2 DG 20mm
Why we recommend this ▼
Weighing just 370g with a weather-sealed all-metal build, this 20mm f/2 prime delivers ultra-wide composition and fast aperture in a compact L-mount package. The STM autofocus enables smooth video pulls, while three aspherical and two ED elements minimize distortion and aberrations across the frame. Best for travel and landscape photographers who need a lightweight, durable wide-angle lens with decent low-light capability for handheld shooting.
Meike 55mm f/1.8 55mm
Why we recommend this ▼
With an 11-element optical design featuring 2 ED lenses and multi-coating, the 55mm f/1.8 suppresses flaring for crisp, high-contrast 8K-ready portraits. At just 363g it’s a light, portable prime for Fujifilm X mount, and the USB-C port enables user-upgradable firmware via Android. Best for portrait photographers seeking a budget-friendly, stabilized lens with smooth f/1.8 bokeh and a 95.9/100 portrait score.