Best Lenses under £400 for video production

Best Pick

Tamron Di III 35mm f/2.8 OSD M 1:2 35mm

75.5 Video/Cinema Score
35mmf/2.8Sony EWeather Sealed
Why we recommend this

Its standout feature is the 1:2 half-life-size macro capability with a 5.9-inch minimum focus distance, combined with a weather-sealed build and an OSD stepping motor for silent autofocus. The optical design, incorporating one LD and one molded glass aspherical element with BBAR coating, delivers sharp, high-contrast images while maintaining a compact, 812g form factor. This lens is best for close-up product and detail photographers who need a versatile 35mm prime with true macro functionality on a full-frame Sony E-mount system.

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Best Lenses under £800 for video production

Best Pick

Tamron Di III 17-70mm f/2.8 Di III-A VC RXD 70mm

98.1 Video/Cinema Score
17-70mmf/2.8Sony EISWeather Sealed
Why we recommend this

A constant f/2.8 aperture across its 17-70mm zoom range and built-in Vibration Compensation set this lens apart for APS-C shooters. Its moisture-resistant construction and fluorine coating add practical durability for outdoor use, while the RXD stepping motor delivers fast, near-silent autofocus. This is the ideal everyday zoom for travel and hybrid shooters who need reliable stabilization and weather sealing in a single, versatile package.

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Tamron SP A032 24-70mm

84.8 Video/Cinema Score
24-70mmf/2.8Nikon FISWeather Sealed
Why we recommend this ▼

The constant f/2.8 aperture combined with 5-stop Vibration Compensation and a sophisticated 17-element optical design with eBAND coatings delivers sharp, high-contrast images in challenging light. Its weather-sealed, moisture-resistant construction and fluorine-coated front element provide durability for field use without a premium price tag. This lens is best for landscape and travel photographers who need a reliable, stabilized standard zoom with full-frame coverage.

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Tamron Di III VC 28-300mm f/4-7.1 VXD

81.7 Video/Cinema Score
28-300mmf/4Sony EISWeather Sealed
Why we recommend this ▼

Covering 28–300mm on full-frame Sony E, the 610g lens combines VXD autofocus and VC stabilization for sharp handheld shots across its 10.7x zoom range. It focuses down to 0.19m for 1:2.8 macro work, and its fluorine coating plus moisture-resistant construction handle tough conditions. This lens suits travel photographers and macro shooters needing a single, portable solution for wide landscapes, compressed telephoto details, and close-up subjects.

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Tamron Di III VXD 20-40mm f/2.8

81.5 Video/Cinema Score
20-40mmf/2.8Sony EWeather Sealed
Why we recommend this ▼

Combining a constant f/2.8 aperture with a compact 365g build, this lens stands out for its fast VXD linear autofocus and useful 20-40mm range on full-frame Sony E-mount bodies. Its 6.7-inch minimum focus distance and moisture-sealed construction add practical close-up capability and durability in a portable package. This lens is best for travel photographers and vloggers who prioritize a lightweight, fast standard zoom over telephoto reach.

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Best Lenses under £1,000 for video production

Best Pick

Tamron Di III 28-75mm f/2.8 VXD G2

85.6 Video/Cinema Score
28-75mmf/2.8Sony EWeather Sealed
Why we recommend this

The updated optical design and VXD linear motor deliver sharper resolution and faster, quieter autofocus than its predecessor, all in a weather-sealed, 540g body. Its standout 1:2.7 magnification at a 7.1-inch minimum focus distance adds genuine close-up versatility rarely found in a constant f/2.8 standard zoom. This lens is best for hybrid shooters and portrait photographers who need a lightweight, do-it-all workhorse without the premium price of first-party glass.

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Tamron Di III VC 70-180mm f/2.8 VXD G2 180mm

73.8 Video/Cinema Score
70-180mmf/22Sony EISWeather Sealed
Why we recommend this ▼

The constant f/2.8 aperture across the 70-180mm range, now paired with 5-stop Vibration Compensation, delivers sharp handheld telephoto shots without the typical bulk. Its compact 855g build and 67mm filter thread make it a uniquely portable option that doesn't sacrifice weather-sealed durability. This lens is best for landscape and travel photographers who need a lightweight, stabilized f/2.8 zoom for full-frame Sony E-mount bodies.

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Tamron Di III VC VXD 50-400mm f/4.5-6.3

47.8 Video/Cinema Score
50-400mm22-32Nikon ZISWeather Sealed
Why we recommend this ▼

An 8x zoom range starting at an uncommonly wide 50mm and half-life-size macro magnification at 9.8 inches set this lens apart from traditional 100-400mm telephotos. The VXD linear motor delivers fast, silent autofocus, while the 1152g build and 67mm filter thread keep it portable for a full-frame super-telephoto. This lens is best for wildlife and travel photographers who need a single, weather-sealed solution to capture both environmental context and distant details without switching lenses.

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Best Lenses under £2,000 for video production

Best Pick

Tamron SP A001-N 70-200mm

99.5 Video/Cinema Score
70-200mmf/2.8Canon EFISWeather Sealed
Why we recommend this

A constant f/2.8 aperture and redesigned optics with XLD/LD glass deliver sharp, high-contrast images with controlled flare, while the 3-mode VC system offers a 5-stop stabilization advantage for low-light work. Customizable firmware via the optional TAMRON TAP-in Console and a closer 0.95m minimum focus distance add flexibility not typically found at this price point, where it costs far less than Canon's first-party equivalent. This lens is a practical choice for enthusiast and budget-conscious portrait photographers who need reliable stabilization and solid center-frame sharpness without the premium brand markup.

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Tamron Di III A058 35-150mm

74.1 Video/Cinema Score
35-150mmf/2Sony EWeather Sealed
Why we recommend this ▼

Its constant f/2 maximum aperture across a 35-150mm zoom range is unique for Sony E-mount, delivering exceptional low-light capability and background blur. The VXD linear motor provides fast, quiet autofocus, while the moisture-resistant construction and Fluorine Coating add durability for field use. This lens is best for travel and event photographers who need to cover wide-angle to telephoto perspectives without swapping lenses.

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