Best Macro Lenses Under £400 in 2026
Panasonic LUMIX G H-HS030 30mm
Great Alternatives
These options also score highly and may better suit your specific needs
Olympus M.Zuiko V312040BU000 30mm
Why we recommend this ▼
A 1.25x greater-than-life-size magnification and a 0.6-inch minimum working distance let this 128g lens capture extreme close-up detail that standard macros miss. Its optical design uses one aspherical, one Dual Super Aspherical, and one ED aspherical element to suppress aberrations for sharp clarity at a very accessible price. This lens is best for Micro Four Thirds shooters who need a dedicated, ultra-light tool for detailed macro work like insects and product photography.
Laowa 50mm f/2.8 2X Ultra Macro APO 50mm
Why we recommend this ▼
Offering a rare 2:1 maximum magnification, this manual focus lens doubles the reproduction ratio of typical macro lenses for extreme close-up detail on Micro Four Thirds cameras. Its apochromatic design with 14 elements minimizes chromatic aberration, while the compact 240g build and built-in CPU for EXIF data transfer add practical precision. This lens is best for macro photographers who need beyond-life-size reproduction and prioritize manual control over autofocus convenience.
7Artisans 122.8ZBII 12mm
Why we recommend this ▼
With a 100-degree field of view and f/2.8 aperture, this 12mm manual focus prime uses a 12-element optical design, focusing as close as 5.9 inches for dramatic wide-angle close-ups. Its all-metal barrel and smooth focus ring provide precise control at an affordable price, though the 608g weight limits travel portability. The lens is ideal for budget-minded Nikon Z APS-C shooters wanting to experiment with ultra-wide landscapes and close-up photography without autofocus.
OM System M.Zuiko V335570BW000
Why we recommend this ▼
Doubles focal length with 2.0x magnification while retaining exceptional optical quality, built with a metal mount and IPX1-rated weather-sealing for field resilience. Weighing just 150g and measuring 159mm long, it adds negligible bulk to the compatible M.Zuiko PRO and telephoto lens lineup. This teleconverter is best for macro photographers needing 2:1 maximum magnification and weather-sealed reliability in a compact Micro Four Thirds system.
Yongnuo YN 17mm f/1.7M 17mm
Why we recommend this ▼
A bright f/1.7 aperture and 17mm wide-angle field of view are packed into a mere 180g body, using 2 aspherical and 2 ED elements with nano multi-layer coating to suppress aberrations. The lens features a weather-sealed metal mount, full-time manual focus override, and an included lens hood for durable, precise control. It suits Micro Four Thirds travel and landscape shooters who need a lightweight, weather-resistant prime for unpredictable conditions.
Meike Fisheye 7.5mm f/2.8 Fisheye 8mm
Why we recommend this ▼
Its expansive 190° angle of view and bright f/2.8 aperture on an APS-C or Micro Four Thirds sensor create dramatic, distorted perspectives in a compact 260g body. The all-manual design with multi-layer nano-coating and a close 5.9-inch minimum focus distance offers precise creative control at a low entry price. This lens is best for experimental photographers and videographers wanting an affordable fisheye for unique landscapes or close-up action shots.
Meike 12mm f/2.8 12mm
Why we recommend this ▼
The fast f/2.8 aperture and 12-element optical design deliver sharp, bright images with a 99-degree field of view on Micro Four Thirds bodies. Its compact 360g build and fully manual focus operation offer precise creative control at an accessible price point. This lens is best for landscape and architecture photographers wanting an affordable, durable ultra-wide prime for deliberate, tripod-based compositions.
Rokinon Cine DS100M-MFT 100mm
Why we recommend this ▼
Offering 1:1 macro magnification with a 100mm focal length and T3.1 aperture, this lens captures detailed close-ups with smooth, de-clicked aperture control and a 9-blade diaphragm for circular bokeh. The Cine DS version adds unified focus and aperture gear positions, color-matched barrels, and dual-sided distance scales for quick lens swaps on set. It’s best for Micro Four Thirds video shooters needing a dedicated macro cine lens for product shots, nature details, and dramatic close-ups with follow-focus rigs.
Rokinon Cine DS14M-MFT 14mm
Why we recommend this ▼
Its unified focus and aperture gear positions across the XEEN lineup, combined with a long 200-degree focus throw, make it a practical tool for rig-swapping on set. The durable aluminum body, tripod mount, and X-Coating for controlled flares add professional reliability that specs alone don't convey. This lens is best for video shooters needing an affordable, manual-focus wide-angle prime for full-frame Canon EF systems.
TTArtisan APS-C 25mm f/2 25mm
Why we recommend this ▼
With a bright f/2 aperture and a 7-blade diaphragm, this 25mm manual-focus lens (37.5mm equivalent) offers pronounced bokeh and strong low-light performance for Micro Four Thirds. Its compact 315g metal build and seven-element optical formula deliver edge-to-edge sharpness even at f/2, with a damped focus ring for precise manual adjustments. The lens is ideal for street photographers and MFT users on a budget who enjoy creative manual focus and shallow depth-of-field without the need for autofocus.
OM System M.ZUIKO Digital ED 40-150mm f:4.0-5.6 R
Why we recommend this ▼
At just 190 grams, the 40-150mm f/4.0-5.6 zoom (80-300mm equivalent) delivers portable reach with nearly silent MSC autofocus. Its affordable price and compact size make it an unobtrusive second lens that pairs easily with standard kits for extended shooting. Budget-conscious Micro Four Thirds photographers capturing travel, portraits, and outdoor sports will appreciate its 3.75x range without added bulk.
AstrHori 6.5mm f/2 Fisheye 7mm
Why we recommend this ▼
A 192° circular field of view and f/2.0 aperture define this lens, enabling a full spherical projection and strong low-light performance for exaggerated barrel distortion effects. Its 0.2m minimum focus distance creates a distinct crystal ball perspective, while the 268g full-metal body with a de-clicked 9-blade aperture offers durable, precise manual control. This lens is best for Fujifilm X-mount shooters wanting to craft surreal, sci-fi portraits or unique astrophotography with a circular fisheye look.