Best Lenses under CA$700 for video production

Best Pick

Canon EF-S 18-135mm f/3.5-5.6 IS USM

89 Video/Cinema Score
18-135mmf/3.5Canon EF-SIS
Why we recommend this

NANO USM autofocus delivers fast, silent performance for hybrid shooting, paired with 4-stop stabilization and a 454g build covering a 28.8–216mm equivalent range. One UD and one aspherical element suppress aberrations, and the optional PZ-E1 Power Zoom Adapter enables motorized zoom control for video. This lens suits hybrid creators and frequent travelers needing a single stabilized all-in-one solution on APS-C Canon DSLRs.

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Price CA$493
Canon EF-S 18-135mm f/3.5-5.6 IS USM lens

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Canon RF-S 55-210mm f/5-7.1 IS STM

81.7 Video/Cinema Score
55-210mmf/5Canon RFIS
Why we recommend this ▼

Offering an 88-336mm equivalent range in a 653g package, this telephoto zoom integrates 4.5-stop stabilization and a near-silent STM motor, making it a standout lightweight option for APS-C R-series cameras. The bundled kit includes a 3-piece filter set and cleaning supplies, boosting its budget appeal (budget score 71.2) despite the plastic build and absent weather sealing. It's best for enthusiast wildlife and sports photographers who prioritize portable reach and effective image stabilization for handheld daytime shooting.

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Canon RF-S 55-210mm f/5-7.1 IS STM lens
Price CA$375

Canon L EF 24-105mm f/4L IS II USM

76.8 Video/Cinema Score
24-105mmf/22Canon RFISWeather Sealed
Why we recommend this ▼

The constant f/4 aperture across its 24-105mm range and a 5-stop Image Stabilizer make this a dependable workhorse for handheld shooting in varied light. Its Nano USM motor delivers fast, near-silent autofocus, complemented by a customizable control ring and weather-sealed L-series build quality. This lens is best for landscape and travel photographers who need a single, versatile zoom with strong 95.5/100-rated performance in the field.

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Canon L EF 24-105mm f/4L IS II USM lens
Price CA$539
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Canon RF45mm F1.2 STM 45mm

76 Video/Cinema Score
45mmf/1.2Canon RF
Why we recommend this ▼

The f/1.2 maximum aperture delivers exceptionally shallow depth of field and strong low-light performance in a compact 345g body, enabled by Canon’s first PMo aspheric lens in this design. Its natural 45mm perspective pairs with a customizable control ring and smooth STM autofocus, offering an affordable entry to ultra-fast RF glass. This lens is best for portrait and lifestyle photographers who want dramatic bokeh and a natural field of view without the bulk or cost of larger f/1.2 primes.

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Canon RF45mm F1.2 STM 45mm lens
Price CA$569

Canon EF-S 18-55mm f/4-5.6 IS STM

66.1 Video/Cinema Score
18-55mmf/5.6Canon EF-SIS
Why we recommend this ▼

The STM autofocus motor delivers near-silent, smooth focusing ideal for video, while the 4-stop image stabilizer sharpens handheld shots across the 18-55mm range. Its lightweight 215g build and bundled accessories, including a backpack and tripod, make it a practical, ready-to-shoot kit for beginners. This lens is best for APS-C DSLR users needing an affordable, quiet all-rounder for vlogging and everyday photography.

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Canon 6473A015

40.5 Video/Cinema Score
75-300mm
Why we recommend this ▼

The 13-element optical design shared with Canon's USM version delivers 300mm reach in a lightweight 480g body, making it the most affordable entry into telephoto photography. The improved zoom mechanism with a silver accent ring provides smoother focal length changes, and the 4.9-foot minimum focus distance enables frame-filling shots of small subjects at the long end. This lens suits budget-conscious beginners wanting to explore sports, wildlife, or outdoor portraits without investing in premium glass.

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Best Lenses under CA$1,500 for video production

Best Pick

Canon EF-S 15-85mm f/3.5-5.6 IS USM

81.8 Video/Cinema Score
15-85mmf/3.5Canon EF-SIS
Why we recommend this

Its 15-85mm range (24-136mm equivalent) pairs with image stabilization and ring-type USM for fast, quiet autofocus, while one UD and three aspherical elements control distortion and fringing. Priced for budget-conscious shooters, it earns a 4.4-star customer rating for solid optical quality in a versatile zoom. Ideal for Canon APS-C DSLR owners who want a single-lens walkaround solution for travel, group portraits, and everyday scenes.

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Canon 6906C002

81.5 Video/Cinema Score
16-28mmf/22Canon RFISWeather Sealed
Why we recommend this ▼

Weighing just 454g with a constant f/2.8 aperture and 5.5-stop optical stabilization, this is Canon’s smallest and lightest full-frame RF zoom for handheld low-light shooting. The leadscrew-type STM motor delivers fast, quiet autofocus, while weather-sealing and a 0.26x magnification offer durability and close-up versatility uncommon in wide zooms. This lens is best for landscape photographers and run-and-gun video shooters who need a stabilized, ultra-portable wide-angle zoom.

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Canon EF-S 17-55mm f/2.8 IS USM

66.2 Video/Cinema Score
17-55mmf/22Canon EF-SIS
Why we recommend this ▼

The constant f/2.8 aperture across the 17-55mm range, combined with a 3-stop Image Stabilizer, delivers reliable low-light performance and sharpness for APS-C DSLRs. Its optical design incorporates two UD and three aspherical elements to suppress aberrations, while the ring-type USM motor provides fast, quiet autofocus. This lens is best for event and portrait photographers using Canon EF-S bodies who need a versatile, stabilized zoom with a bright aperture.

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Canon EF-S 17-55mm f/2.8 IS USM lens
Price CA$1,089

Canon Extender 4409B002 1mm

56.9 Video/Cinema Score
1mmf/1.4Canon EFWeather Sealed
Why we recommend this ▼

Its 7-element optical design with Super Spectra and Fluorine coatings maintains sharpness and contrast while extending reach by 1.4x with minimal ghosting. The built-in microcomputer ensures seamless autofocus and exposure communication, housed in a rugged, weather-sealed body weighing just 225g. This extender is best for street and portrait photographers using compatible Canon L-series telephotos who need extra focal length without sacrificing optical quality.

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Canon RF-S 3.9mm f/3.5 STM Dual Fisheye 4mm

45.6 Video/Cinema Score
4mmf/16Canon RF
Why we recommend this ▼

Its dual-lens design captures stereoscopic 3D 180° VR imagery onto a single sensor, streamlining post-production for the EOS R7 at up to 4K 30 fps. The 144° field of view and Air Sphere Coating deliver immersive footage with reduced ghosting in a compact 289g body. This lens is best for VR content creators who need a simplified, single-camera workflow for spatial video.

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Canon RF-S 3.9mm f/3.5 STM Dual Fisheye 4mm lens
Price CA$1,400

Canon L EF 17-40mm USM 40mm

44.5 Video/Cinema Score
40mmf/4Canon EF
Why we recommend this ▼

Combining a Super UD element with three aspherical elements, this L-series lens delivers high sharpness and color accuracy across its constant f/4 aperture range. Its weather-sealed, durable construction and ring-type USM motor provide fast, quiet autofocus with full-time manual override in a relatively lightweight 499g body. This lens is best for landscape and architecture photographers using full-frame Canon EF cameras who need a rugged wide-angle zoom.

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Canon 5812C012

39 Video/Cinema Score
18-45mm
Why we recommend this ▼

The 24.2MP APS-C sensor and DIGIC X processor deliver sharp 4K video oversampled from 6K, backed by a fast 15 fps electronic shutter. Its Dual Pixel CMOS AF II system with deep-learning subject tracking and a fully articulating touchscreen make it a highly responsive, smartphone-like entry point into the Canon RF ecosystem. This camera is best for vloggers and content creators upgrading from a phone who need reliable autofocus and uncropped 4K video in a 454g body.

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Best Lenses under CA$2,000 for video production

Best Pick

Canon RF14-35mm F4L IS USM 14-35mm

85 Video/Cinema Score
14-35mmf/22Canon RFISWeather Sealed
Why we recommend this

Combining an ultra-wide 14mm field of view with a constant f/4 aperture and 5.5-stop optical stabilization, this lens stands out for its compact 544g build and advanced optics with SWC and ASC coatings. Its 0.38x maximum magnification at 35mm enables dramatic close-focusing perspectives, while the Nano USM motor delivers silent, smooth autofocus for video. This lens is best for landscape and architecture photographers who need a weather-sealed, portable zoom for walkaround shooting.

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Price CA$1,769
Canon RF14-35mm F4L IS USM 14-35mm lens

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Canon EF 16-35mm f/4L IS USM

74.3 Video/Cinema Score
16-35mmf/22Canon EFISWeather Sealed
Why we recommend this ▼

Combining L-series build quality with a constant f/4 aperture and a 4-stop image stabilizer, this 16-35mm zoom delivers sharp results from its 16-element optical design that includes three aspherical and two ED elements. The weather-sealed, 615g body accepts 77mm filters and offers a useful 0.23x maximum magnification for close-up wide-angle shots. This lens is best for landscape and architecture photographers who need a rugged, stabilized ultra-wide zoom for full-frame Canon EF bodies.

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Canon L-series EF 24mm f/1.4L II USM 24mm

55.6 Video/Cinema Score
24mmf/22Canon RFWeather Sealed
Why we recommend this ▼

The f/1.4 maximum aperture and Sub Wavelength Coating deliver strong low-light performance with controlled flare, while two aspherical and two UD elements maintain sharpness across the frame. Its weather-sealed L-series build and ring-type USM motor provide reliable, quiet autofocus with full-time manual override. This lens is best for landscape and astrophotography shooters who need a durable, wide-angle prime with a bright aperture for challenging light.

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Canon L-series EF 24mm f/1.4L II USM 24mm lens
Price CA$1,899

Best Lenses under CA$3,500 for video production

Best Pick

Canon L EF 85mm f/1.4L IS USM 85mm

81.9 Video/Cinema Score
85mmf/16Canon EFISWeather Sealed
Why we recommend this

The combination of an f/1.4 aperture, 4-stop image stabilization, and Air Sphere Coating sets this lens apart for sharp, low-light portraiture with reduced ghosting. Its weather-sealed, 635g build and ring-type USM autofocus deliver reliable, quiet performance in a relatively portable package. This lens is best for portrait and wedding photographers using Canon EF-mount DSLRs who need handheld flexibility and precise subject isolation.

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Price CA$2,100
Canon L EF 85mm f/1.4L IS USM 85mm lens

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Canon RF 10-20mm f/4 L IS STM

78.5 Video/Cinema Score
10-20mmf/22Canon RFISWeather Sealed
Why we recommend this ▼

Combining an expansive 10-20mm focal range with a constant f/4 aperture and 5-stop optical stabilization, this lens captures sharp, distortion-controlled images using 4 ED elements and Air Sphere coatings. Its remarkably compact 570g build and weather-sealed L-series construction make it a practical, portable tool for demanding outdoor shoots. This lens is best for landscape and architecture photographers who need an ultrawide perspective with professional durability and handheld flexibility.

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Canon EF L EF 11-24mm F/4L USM

67.7 Video/Cinema Score
11-24mmf/4Canon EFWeather Sealed
Why we recommend this ▼

Its 11mm rectilinear focal length on a full-frame sensor delivers an ultra-wide perspective without fisheye distortion, supported by four aspherical elements for edge-to-edge sharpness. The constant f/4 aperture and weather-sealed L-series build provide reliable performance in challenging outdoor conditions, while SWC and Air Sphere coatings effectively suppress flare. This lens is best for architectural and landscape photographers who require an extreme wide-angle zoom with minimal optical distortion.

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Canon L-series EF 16-35mm f/2.8L III USM

59 Video/Cinema Score
16-35mmf/22Canon EFWeather Sealed
Why we recommend this ▼

A revamped optical design with three aspherical and two UD elements delivers high sharpness and clarity across the full-frame image circle. Its constant f/2.8 aperture and robust weather-sealed L-series build provide reliable performance in challenging conditions, while SWC and ASC coatings effectively suppress flare. This lens is best for landscape and architecture photographers who demand edge-to-edge sharpness at ultra-wide angles.

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Canon L-series EF 16-35mm f/2.8L III USM lens
Price CA$3,450

Canon TS-E 50mm f/2.8L Macro 50mm

50.2 Video/Cinema Score
50mmf/2.8Canon EF
Why we recommend this ▼

With an f/2.8 constant aperture and L-series optics that include two UD elements and Air Sphere Coatings, it delivers sharp, high-resolution images with suppressed aberrations. The tilt-shift mechanism offers precise perspective control, while the 0.5x macro capability at a 269mm minimum focus distance enables detailed close-up work uncommon in this lens class. It’s best for product and architectural photographers who need meticulous depth-of-field manipulation and distortion correction for tabletop and interior shots.

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Premium Lenses for video production

Best Pick

Canon RF 24-105mm f/2.8 L IS USM Z 105mm

81.3 Video/Cinema Score
24-105mmf/22Canon RFISWeather Sealed
Why we recommend this

Combining a first-of-its-kind constant f/2.8 aperture with a 24-105mm zoom range, this lens eliminates the need to swap optics for low-light shooting up to 105mm. It uniquely integrates a dedicated, click-less iris ring for smooth cinematic exposure control, paired with dual Nano USM motors for silent autofocus and up to 8 stops of coordinated stabilization. This lens is best for hybrid shooters and photojournalists who need a single, weather-sealed solution for both 4K video production and event photography.

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Canon L Series RF 14mm f/1.4 L VCM 14mm

55.5 Video/Cinema Score
14mmf/16Canon RFWeather Sealed
Why we recommend this ▼

The f/1.4 aperture on a 14mm full-frame lens, combined with an 11-blade iris and VCM autofocus, delivers silent, fast focusing and strong low-light performance in a weather-sealed body. Its 895g weight and de-clickable manual aperture ring support smooth exposure changes, while minimal focus breathing keeps framing consistent during focus pulls. This prime is best for hybrid shooters and videographers capturing wide, dimly lit scenes where quiet operation and controlled depth of field are essential.

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Canon L RF100-500mm F4.5-7.1 L IS USM 100-500mm

55.2 Video/Cinema Score
100-500mmf/54Canon RFISWeather Sealed
Why we recommend this ▼

The 100-500mm f/4.5-7.1 L IS USM pairs a versatile 100–500mm focal range with 7 ED elements, Air Sphere coating, and 5-stop optical stabilization in a weather-sealed, travel-sized build. Its Dual Nano USM autofocus drives swift, near-silent focusing, and three IS modes—standard, panning, and exposure-only—enable precise control for moving subjects. This lens suits wildlife and sports photographers who need a portable super-telephoto zoom for handheld shooting in the field.

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