Best Pick

Sirui IronStar Series 35 35mm

49.5 Macro Score
35-60mmf/16ARRI PL/Canon EF
Why we recommend this

Three full-frame anamorphic lenses—35, 45, and 60mm—deliver a constant T1.9 aperture and natural blue flares for a cinematic widescreen look. A 16-blade iris, interchangeable ARRI PL/Canon EF mount, and uniform 95mm front diameter ensure smooth oval bokeh and streamlined rigging. This set is ideal for indie filmmakers who want full-frame anamorphic character with consistent exposure across focal lengths for narrative and music video production.

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Great Alternatives

These options also score highly and may better suit your specific needs

Laowa Proteus 2x Anamorphic 20mm T2 20mm

44.5 Macro Score
20mmT22Interchangeable Mount with Included ARRI PL/Canon EF
Why we recommend this ▼

Delivering a classic 2x anamorphic squeeze for S35+ sensors, this 20mm T2 prime stands out with its fast T2 aperture and interchangeable PL/EF mount system. Its relatively compact build for an anamorphic lens is paired with distinctive silver flare characteristics and a 10-blade iris for elliptical bokeh. This lens is best for indie filmmakers and cinematographers seeking a wide, characterful anamorphic look without the bulk or cost of larger-format glass.

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Dulens APO Mini Prime T2.4/T2.5/T2.6 6 21mm

35.6 Macro Score
21-110mmT22Canon EF
Why we recommend this ▼

Apochromatic correction across six focal lengths from 21mm to 110mm with a fast T2.4 aperture and full-frame coverage provides consistent optical performance and a smooth, vintage look. The kit maintains uniform 80mm front diameters, 72mm filter threads, and geared focus/iris rings for rapid lens swaps on set. This set is best for independent filmmakers and videographers building a cohesive manual-focus prime kit on a budget.

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