Meike Fisheye 7.5mm f/2.8 Fisheye 8mm
Its expansive 190° angle of view and bright f/2.8 aperture on an APS-C or Micro Four Thirds sensor create dramatic, distorted perspectives in a compact 260g body. The all-manual design with multi-layer nano-coating and a close 5.9-inch minimum focus distance offers precise creative control at a low entry price. This lens is best for experimental photographers and videographers wanting an affordable fisheye for unique landscapes or close-up action shots.
Resumo
The 30-Second Version
The Meike 7.5mm f/2.8 is a well-built, dirt-cheap fisheye for getting wild, creative shots. Its sharpness is a total gamble and user reviews are rough, making it one of the lowest-rated lenses we've tracked. Buy it for the fun factor at around $120, not for image quality.
Pros & Cons
Prós
- Solid, compact metal build that feels way more expensive than it is. 90th
- Fun, exaggerated fisheye look that's great for creative video and skate shots. 80th
- f/2.8 aperture is bright for an ultra-wide, helping in low light. 68th
- Insanely close minimum focus distance for wild macro-style perspectives.
Contras
- Image sharpness is inconsistent and often soft, even stopped down.
- Manual focus only with no electronic communication to the camera body.
- Produces a heavy circular image on full-frame sensors, not a standard wide shot.
- User sentiment is among the worst in our database, so quality control seems hit or miss.
O que dizem os donos
The Word on the Street
Como a opinião dos donos mudou ao longo do tempo
ExclusivoCom base em quando os clientes realmente escreveram suas avaliações - para ver se os elogios iniciais se mantiveram.
- Q1 202480/100
Most buyers praise the lens for sharpness, color, and value. One reports poor sharpness at all apertures.
- Excellent sharpness, color saturation, and solid build, especially compared to cost.
- One unit completely lacking in sharpness at any aperture, considered defective.
- Lens cap is loose; lens shade does not prevent ghosting in direct light.
- Manual focus is tricky indoors; image distortion is a creative feature but limits use.
- Q4 202371/100
Buyers praise the lens' build quality, sharpness at f/5.6, and value for the price. However, some report mount incompatibility, distortion, and poor Amazon packaging.
- Build quality and materials are good; metal body feels sturdy.
- Sharp at f/5.6, usable at f/2.8; good value for the price.
- Mount incompatibility despite listing; one buyer could not fit it.
- Distortion noted in photos; one buyer finds it overpriced for the quality.
- Q3 202395/100
Buyers praised the lens for sharpness, compact build, and minimal distortion, with minor issues like a loose lens cap.
- Excellent sharpness and resolution across the image, even wide open.
- Compact, well-constructed design is pocketable and portable.
- Lens cap falls off easily; no case or adapter finicky with other lenses.
- Versatile for real estate, landscapes, and creative photography with low distortion.
- Q2 202386/100
Buyers praise the lens as a fun, creative tool with sharp image quality, solid metal build, and good value, though manual focus and slight optical clarity trade-offs noted.
- Fun, creative fisheye effect with ultra-wide 180-degree field of view.
- Good build quality: all-metal construction feels durable and compact for travel.
- Image quality generally good but 'not great' optically; some call it sharp, others just okay.
- Manual focus can cause shake; fine for creative use but a limitation for some.
Com base em 4 avaliações de clientes datadas, agrupadas por trimestre civil. A análise por período está em inglês.
As provas
Performance
Sharpness is the big question mark here, and honestly, it's a mixed bag. Our macro score puts it near the top of its class, which sounds great until you realize that's mostly because it can focus ridiculously close. Real-world image quality is where things get dicey. Some copies seem to deliver decent colors and fun flares for video work, but multiple owners report softness across the frame, even when stopped down. The all-manual focus means you're in full control, but nailing critical sharpness on a lens that might not be optically stellar is a frustrating combo. It's a creative tool, not a technical marvel.
Specifications
Full Specifications
Optics
| Type | Fisheye |
| Focal Length Min | 8 |
| Focal Length Max | 8 |
| Elements | 11 |
| Groups | 9 |
| Coating | multi-layered |
Aperture
| Max Aperture | f/16 |
| Min Aperture | f/2.8 |
| Constant | No |
Build
| Mount | Micro Four Thirds |
| Format | APS-C |
| Weight | 0.3 kg / 0.6 lbs |
| Filter Thread | 77 |
AF & Stabilization
| AF Type | manual focus only |
| Stabilization | No |
Focus
| Min Focus Distance | 150 |
vs Competition
Stacked against the competition, this Meike is a one-trick pony in a field of workhorses. A standard zoom like the Tamron 28-75mm f/2.8 or the Sony 16-50mm kit lens will run circles around it for sharpness, autofocus, and everyday versatility. Even compared to other budget manual lenses, the Meike's optical score is just middle of the pack. You're not buying this to compete with a Nikon Z 16-50mm for landscapes. You're buying it specifically because those lenses can't do this wild, circular fisheye look. It's a specialty item, and it loses in a head-to-head on almost every practical metric except sheer creative weirdness.
| Spec | Meike Fisheye 7.5mm f/2.8 Fisheye 8mm | Tamron Di III VC 28-300mm f/4-7.1 VXD | Sigma Contemporary 18-50mm f/2.8 DC DN | Nikon NIKKOR Z 17-28mm f/2.8 | Panasonic Leica DG Vario-Elmarit H-ES12035 | Sony E 18-135mm f/3.5-5.6 OSS |
|---|---|---|---|---|---|---|
| Focal Length | 8mm | 28-300mm | 18-50mm | 17-28mm | 12-35mm | 18-135mm |
| Max Aperture | f/16 | f/4 | f/2.8 | f/2.8 | f/2.8 | f/3.5 |
| Mount | Micro Four Thirds | Sony E | Sony E | Nikon Z | Micro Four Thirds | Sony E |
| Stabilization | false | true | false | false | true | true |
| Weather Sealed | false | true | true | true | true | false |
| Weight (g) | 260 | 590 | 290 | 450 | 306 | 326 |
| AF Type | manual focus only | VXD linear motor | stepping motor | Stepping Motor | Autofocus | Linear motor |
| Lens Type | fisheye | zoom | zoom | zoom | zoom | zoom |
| Compare | Compare | Compare | Compare | Compare |
| Produto | AF | Bokeh | Build | Macro | Optical | Aperture | User Sentiment | Versatility | Prova social | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|
| Meike Fisheye 7.5mm f/2.8 Fisheye 8mm | 13.3 | 28 | 79.6 | 89.5 | 58.8 | 40.2 | 2.2 | 33.6 | 68.1 | 36.8 |
| Tamron Di III VC 28-300mm f/4-7.1 VXD Compare | 98 | 77.9 | 65.1 | 85.8 | 96.7 | 66 | 91.2 | 97.7 | 55.8 | 82.4 |
| Sigma Contemporary 18-50mm f/2.8 DC DN Compare | 86.8 | 81.8 | 86 | 91.7 | 82.2 | 83.9 | 80.9 | 78.6 | 89.8 | 36.8 |
| Nikon NIKKOR Z 17-28mm f/2.8 Compare | 86.8 | 87 | 75.2 | 85.8 | 88.2 | 83.9 | 91.2 | 68 | 69.8 | 36.8 |
| Panasonic Leica DG Vario-Elmarit H-ES12035 Compare | 53.9 | 81.8 | 85.4 | 51 | 86.5 | 83.9 | 63.7 | 80.6 | 85.5 | 96.9 |
| Sony E 18-135mm f/3.5-5.6 OSS Compare | 98 | 75.4 | 72.5 | 40.3 | 78.5 | 77.3 | 44.7 | 95.8 | 89.8 | 82.4 |
Preço
Value & Pricing
Pricing on this lens is all over the map, with a spread from $119 to a frankly absurd $26,708 across vendors. Let's be real, you should be paying closer to that low end. At around $120, it's a cheap ticket to experiment with a fisheye look. The build quality alone makes it feel like a steal. But if you're seeing it listed for anything over $150, just walk away. The optical performance and iffy quality control don't justify a higher price, especially when you can find used, optically superior manual lenses from established brands for not much more.
Amazon.com.br 1 oferta A partir de R$ 745
Price History
Saiba mais
Overview
The Meike 7.5mm f/2.8 is a tiny, all-manual fisheye that tries to bring ultra-wide fun to Micro Four Thirds and APS-C mirrorless cameras on a tight budget. It's built surprisingly well for the price, feels solid in the hand, and the f/2.8 aperture lets in a decent amount of light for a lens this wide. But calling it a "low distortion design" in the marketing is a stretch, this is a full-on circular fisheye, and that's exactly what you're signing up for. You'll get that distinctive, heavily curved look that either works for your creative vision or just looks like a gimmick.
Common Questions
Q: Will this lens work on my full-frame Sony or Canon camera?
It will physically mount with the correct adapter, but it's designed for APS-C and Micro Four Thirds sensors. On a full-frame body, you'll get a heavy circular image with black edges, not a full-frame fisheye shot.
Q: Does this lens have autofocus or communicate with the camera?
No, it's fully manual. You'll need to set focus and aperture on the lens itself, and your camera won't record any EXIF data like aperture or lens name.
Q: Is this a diagonal fisheye that fills the whole frame?
On a Micro Four Thirds sensor, it's a circular fisheye, meaning the image is a circle surrounded by black. It does not fill the entire rectangular frame like a standard wide-angle lens.
Who Should Skip This
If you need a sharp, reliable wide-angle lens for landscapes, real estate, or anything where straight lines matter, look elsewhere. This is not a substitute for a standard zoom. The soft optics and manual-only operation will drive you nuts if you just want a crisp, rectilinear ultra-wide shot.
Verdict
This lens is for the filmmaker or photographer who knows exactly what a circular fisheye does and has a specific project in mind. It's a fun, cheap toy to throw in your bag for a music video, a skate clip, or some experimental photography. The build is great, the price is right at the low end, and the effect is undeniably cool for the right shot. Just don't expect it to be your daily driver, and definitely don't expect clinical sharpness. It's a specialty lens that's a blast when it works, but a paperweight when it doesn't.